Malaikat pelindung
“Kejutan apa lagi untuk hari ini ??” kalimat itu setiap pagi selalu muncul di kepala seorang cowok berusia 17 tahun yang memiliki nama lengkap Putra Pradana Riski. Sedari tadi Riski rasanya enggan keluar dari kamarnya karena saat ini juga dia harus berangkat ke sekolah. Riski adalah salah satu siswa kelas XI.IA.2 yang mulai merasa sangat enggan masuk sekolah bukan karena pelajaran yang semakin lama semakin sulit tetapi karena di kelasnya ada cewek yang di rasa dia punya kelainan otak. Tapi mau nggak mau dengan kejutan itu Riski tetap harus berangkat ke sekolah karena hari ini ada ulangan Fisika.
“Riski !!” suara yang sangat tidak asing di telinga Riski ini cukup
merubah suasana hati Risky yang tadinya malas menjadi sangat malas. Itu suara Debi, murid baru pindahan dari Bandung. Sejak pertama Debi menginjakkan kakinya di SMA N 1 Gondang dia selalu berusaha untuk mendekati Riski. Awalnya Riski mau bersikap baik sama Debi tapi lama-lama sikapnya berubah jadi dingin.
“Apa ?” jawab Riski dengan nada dingin.
“Nggak ada apa-apa, cuma pengen ngucapin selamat pagi aja. Nggak boleh??” jawab Debi dengan nada manja, tapi itu pun tetep nggak bisa merubah pemandangan sepet yang sedang terlukis jelas di raut muka Riski. “ngapain sih lo jutek banget ma gue?? Sambung Debi”.
“Lo tuh seharusnya nyadar
sendiri kenapa gue begini sama elo, Lo tuh nggak nyadar apa sama apa yang elo lakuin ke gue?? Kayak gitu gue masih harus sabar ngadepin lo?? Nggak bisa Deb, kalo elo manusia nggak mungkin elo kayak gitu” bentak Riski. Baru kali ini Riski mau ngomong panjang dengan nada tinggi, Debi yang tadinya pura-pura memelas jadi sedikit heran melihat wajah menyeramkan Riski.
“Lo lagi dapet?? Hahahaha !!” Goda Debi..
“Terserah !!” Riski yang seharusnya berjalan searah dengan Debi untuk menuju kelas jadi membelokkan badannya dan berjalan menuju kamar mandi yang kebetulan baru saja dia lewati agar dia nggak melihat muka murid baru yang di anggapnya menyebalkan itu.
“Teng !! teng !!” bel masuk mulai berbunyi. Usaha Riski untuk menghindar dari muka Debi serasa sia-sia karena Riski melihat muka itu duduk di sebelah bangku yang biasa dia tempati. Riski hanya melihat sebentar kearah Debi dan langsung berjalan menuju bangku yang di tempati Alvin. Riski tau kalau Alvin sangat suka sama Debi jadi Riski menyuruh Alvin untuk pindah ke tempat biasanya dia duduk, Alvin pun bergegas dengan senang hati.
Debi nggak terima saat posisi itu di gantikan oleh Alvin. Di saat Debi hendak pindah ke sebelah bangku yang di tempati oleh Riski ternyata rencana Debi di gagalkan oleh masuknya Bu Yanti ke dalam kelas. Helaian nafas lega akhirnya di hirup juga oleh hidung Riski karena gagalnya rencana Debi untuk duduk di sebelahnya.
“drrrtt..drrttt..” 1 pesan di terima “waktu berharga banget bwt km & km gk akan buang waktu km cuma buat orang seperti Debi. Dari: 085731357230”
“Dan gue juga nggak akan buang waktu atau pulsa gue cuma buat nyari tau lo siapa” balas Riski dalam hati tanpa membalas sms tadi.
“drrtt..drrtt..”
“HP kamu ibu sita !!” suara ibu Yanti cukup menghentikan gerak Riski yang hendak membuka sms yang barusan masuk di HPnya. Tanpa banyak alasan, Riski langsung memberikan HPnya pada Bu Yanti. “sekarang kita lanjutkan pelajaran kita, dan Riski nanti temui ibu di kantor pada jam istirahat” Riski hanya bisa diam dan memang nggak mau komentar apa pun.
“Ris..ris..” panggil Agung yang duduk di belakang Riski dengan nada setengah berbisik sambil menyodorkan potongan kertas lecek.
‘Apa ni ??”
“Tuh dari belakang sambil menunjuk ke arah Debi”
“oh” Riski mengambil kertas itu dan membukanya “tumben lo maen HP di kelas, kenapa siih ??” setelah membaca surat tadi Riski langsung meremas dan memasukannya ke dalam laci.
==*==
Akhirnya jam istirahat dan sesuai dengan perintah Bu Yanti, Riski langsung menemui beliau di kantor.
“Permisi bu” sapa Riski saat hendak memasuki kantor untuk menemui Bu Yanti. Riski melihat Bu Yanti sedang sibuk mengoreksi ulangan siswa-siswanya jadi tanpa dipersilahkan Riski langsung masuk dan menuju tempat Bu Yanti duduk.
“Duduk ris” Riski pun menuruti perintah Bu Yanti untuk duduk “Ibu heran sama kamu Ris” sambung Bu Yanti saat melihat Riski yang sedangduduk.
“Heran kenapa bu ??” jawab Riski
“kamu ada masalah ??”
“Masalah ??” pertanyaan itu membuat Riski semakin nggak ngerti apa maksud Bu Yanti karena Riski merasa nggak ada masalah serius yang melibatkan urusan sekolah atau membuat dia nggak konsen belajar.
“Nilai ulangan kamu turun Ris, bukan cuma turun tapi berubah. Seperti bukan kamu yang biasanya, ibu sangat hafal bagaimana jawaban kamu di saat kamu mulai merasa kesulitan” jelas Bu Yanti tapi Riski masih bingung. Melihat raut muka Riski yang seperti induk ayam kehilangan anaknya maka Bu Yanti langsung memberikan hasil ulangan Riski “coba lihat ulangan kamu” lalu Riski membaca kertas jawaban yang diberikan oleh Bu Yanti tersebut “menurut kamu apa jawaban seperti itu wajar untuk pelajaran Kimia ibu ??” nada bicara Bu Yanti mulai mengeras.
“Ini bukan jawaban saya bu, bukan ini jawaban yang saya tulis” Riski benar-benar nggak ngerti sama apa yang dia lihat saat ini.
“Tapi ini tulisan kamu dan sudah sangat jelas nama kamu tertulis di kertas ini”
“Tulisan ini cuma mirip bu, tapi bukan saya yang menulis”
“Ibu rasa kamu kurang istirahat” Riski hanya bisa diam “kamu salah satu siswa yang menurut ibu patut di banggakan jadi ibu nggak ingin kamu berubah hanya karena satu masalah” Riski sudah nggak tau lagi harus jelasin apa lagi ke Bu Yanti karena Bu Yanti benar. Yang tertera di kertas ulangan itu adalah nama dan tulisan yang sangat mirip sama tulisan Riski. “kamu boleh kembali ke kelas kamu dan ini HP kamu, jangan main HP saat jam pelajaran lagi ya”
“Iya bu” lalu Riski segera bangkit dari tempat duduknya dan beranjak menuju kelas untuk menenagkan diri.
Sesampainya di kelas Riski sedikit lega karena kelas sangat sepi, nggak ada orang satu pun jadi nggak akan ada yang mengganggunya untuk menenangkan diri sejenak. Riski mulai ingat kalau tadi dia mendapat sms yang belum sempat dia baca. Riski meraih HP dari kantong dan setelah di lihat ternyata pengirimnya sama dengan yang tadi pagi. “Debi emang orng yg gk penting buat km tp suatu saat km akan merasa betepa berartinya Debi buat km”.
“Nggak penting banget sih ni orang” hanya kalimat itu yang ada dalam otak Riski. “sampai kapan dia berhenti ?? apa mau dia ??” Tanya Riski dalam hati.
“Riski, lo nggak papa ??” lamunan Riski pecah karena datangnya suara yang sama sekali nggak dia harapkan itu.
“Nggak papa !!” jawab Riski ketus tapi jawaban itu nggak membuat senyum manis Debi redup karena dia udah terbiasa dengan sikap dinginya Riski. Sebenarnya banyak teman-teman Riski yang iri karena menurut mereka Riski beruntung di dekati cewek yang udah cantik di tambah manis lagi. Nggak kebayang kan gimana cantiknya Debi tapi kesempurnaan itu nggak bisa membuat Riski sedikit menoleh sama Debi. Buat Riski Debi cewek biasa, sama seperti teman cewek yang lain.”Sekarang lo puas kan !!” sambung Riski dengan nada pelan tapi mantep.
“Puas ?? maksud lo apa ??” tanya Debi heran.
“Iya lo nggak usah banyak basa-basi, lo puas nggak sekarang ??” nada suara itu semakin terdengar mengerikan.
“Belum puas…” jawab Debi ragu tapi dia masih berusaha tenang. “Gue mau ke kantin, lo nitip nggak ??”
“ Kalo ada beliin gue obat penyakit jiwa buat gue cekokin ke tenggorokan elo”
Mendengar itu Debi hanya tersenyum “gue beliin minum ya biar agak tenang” Debi masih berusaha menenangkan Riski yang tengah di landa emosi tinggi. Karena nggak ada jawaban pasti dari Riski jadi Debi langsung pergi meninggalkan Riski sendiri di kelas.
Setelah beberapa menit berlalu akhirnya Debi kembali lagi ke kelas, di sana dia melihat sesuatu yang sulit dia percaya. Lalu Debi sesegera mungkin pergi meninggalkan kelas dengan tubuh yang masih gemetar.
“Lo kenapa deb ??” tanya Sarah dengan penuh rasa cemas tapi Debi hanya diam. Melihat keadaan sahabatnya seperti itu akhirnya membuat sarah jadi lebih khawatir. “lo tenang ya Deb. Minum ini punya elo kan, elo minum ya dikit biar tenang” Sarah meraih botol minuman yang di bawa oleh Debi dan membukannya.
==*==
Sepulang dari sekolah Riski merasa sangat lelah dan pastinya sangat jengkel karena kejadian di sekolah tadi. Setelah membuka pintu rumah Riski langsung melepas sepatu dan tasnya untuk di letakkan di tempat dimana dia biasa menaruhnya. Setelah itu Riski mulai mengambil air wudlu dan langsung sholat. Seperti yang biasa dia lakukan setiap habis sholat di lanjutkan dengan makan siang. Riski memang seorang cowok yang sangat rapi dan teratur, jadi nggak heran kalau kegiatan dia sehari-hari sudah terjadwal. Setelah menyelesaikan makan siangnya Riski langsung memasuki kamar dia untuk berusaha melepaskan kepenatan dia hari ini yaitu dengan cara tidur siang. Riski masih kepikiran tentang kejadian di sekolah tadi dan membuat dia jadi sulit memejamkan mata “kali ini benar-benar keterlaluan”. Riski meraih HPnya yang sedari tadi ada di dalam tasnya. Tanpa ia sadari ternyata ada 3 sms masuk, dua sms dari Debi dan satu sms lagi dari orang yang tadi pagi mengirimkan sms nggak jelas. Riski terlebih dahulu membuka sms dari orang yang tak dia kenal itu “udah saatnya km ikuti permainannya. Nggak semua permainan membosankan kok.. udah saatnya juga km temui hal yg blm prnh km lihat. Km ckup cerdas untuk permainan sepele seperti ini” dari sms itu Riski hanya terpaku dengan satu kata saja yaitu kata “permainan” Riski diam sejenak untuk berfikir tentang maksud dari kata tersebut.
Lalu Riski melanjutkan membuka sms yang tadi belum dia baca “lo dimana ?? gw d kls nih”. Mungkin sms ini di kirim saat jam isirahat tadi, itu aja yang ada di pikiran Riski. Lalu dia melanjutkan untuk membaca sms yang satu lagi “ntar sore gw pgn ktmu ma lo. Gw tunggu di sekolah jam 4. kalo lo gk dtng gw bakal samperin ke rumah lo” Riski jadi nggak ngerti apa mau cewek ini. Riski menulis balasan untuk Debi dengan singkat “ya” lalu pesan itu di kirim. Riski nggak suka membawa masalah sekolahnya ke dalam rumah, karena Riski yakin pasti akan timbul banyak pertanyaan dari orang rumah. Akhirnya Riski memutuskan untuk tidur siang dulu untuk melepas lelahnya hari ini dan menunggu waktu pukul 4
==*==
“Gw tau lo gk suka nunggu jd gw skrng udah nungguin lo di skul” itu sms Debi yang baru saja di baca oleh Riski. Debi memang benar, Riski bukan orang yang suka di bikin nunggu. Kalau ada yang membuatnya menunggu maka dia akan menganggap hal itu sebagai wujud penghinaan. Setelah membuka sms tadi Riski langsung berangkat ke sekolah karena Riski nggak mau lama-lama membuang waktunya.
Setelah 10 menit akhirnya Riski sampai di sekolah, suasana sekolah sangat sepi karena hari ini memang nggak ada jadwal ekskul. Riski langsung berjalan menuju taman yang berada di depan kelas XI.IA. Tanpa dia sangka ternyata Debi udah berada di sana, Riski mendekati posisi duduk Debi dan Debi tersenyum.
“gue tau kalo lo bakal langsung ke tempat ini” Debi berusaha mengawali prmbicaraan. Debi sangat yakin kalau pun Riski melihat Debi Lebih dahulu Riski nggak akan mau mengawali pembicaraan atau hanya sebatas berkata “hei”.
“Sekarang lo mau apa ??” jawab Riski tanpa basa-basi
“Gue cuma mau kasih ini” sambil memberikan bungkusan berwarna putih besar yang sedari tadi dia pegang.
“Apa ??”
“Lo lihat di rumah aja, gue tau kalo lo butuh itu”
“Nggak mau” jawab Riski singkat.
“Kali ini gue minta tolong sama lo, tolong lo terima”
“Oke, gue terima. Mungkin juga udah saatnya gue rubah sikap gue sama elo”
Debi tersenyum senang dan nggak percaya kalau Riski akan ngomong seperti itu “makasih ris”.
“Gue yang harusnya bilang makasih udah lo kasih ini buat gue”
Debi semakin nggak bisa percaya sama apa yang dia lihat dan dia dengar. Debi melihat Riski tersenyum dengannya dan dia juga mendengar Riski ngomongnya nggak dingin lagi “gue pulang dulu ya”.
“iya”
Riski memperhatikan langkah Debi yang semakin jauh. Riski hanya terdiam melihat apa yang di bawa saat itu, tanpa menunggu sampai rumah dia langsung membuka bungkus itu. Yang dia lihat saat itu adalah sebuah tas “cuma dia yang tau kejadian tadi siang ??”. Riski juga merasa ada gunanya membuka bungkus kado itu sebelum di rumah karena dia bakal malu banget kalau pulang membawa bungkusan besar.
Bungkus yang tadinya menyelimuti tas itu di buangnya ke tempat sampah sambil dia berjalan menuju tempat parkir. Sesampainya di tempat parkir Riski melihat motor Debi masih ada di sana tapi Riski nggak perduli, dia langsung mengambil motornya dan pulang.
==*==
“Tas baru ris ??” Tanya mama Riski saat dia hendak berpamitan untuk berangkat sekolah.
“Iya ma” jawab Riski
“Kok tumben kamu nggak minta uang mama ??”
“Riski di kasih temennya Riski ma”
“Kenapa dia mau ngasih kamu ??”
“Nggak tau ma, yaudah Riski berangkat dulu ya ma. Assalammualaikum” pamit Riski sambil mencium tangan mamanya
“Waalaikum salam. Hati-hati ya”
“Iya”
Pagi ini Riski berangkat sekolah dengan pemandangan muka yang agak berbeda, dia terlihat lebih semangat dari biasanya. Entah ada angin apa yang bisa membuat Riski menjadi seperti itu.
Sesampai di sekolah dia langsung berjalan menuju kelas dan seperti biasa juga, kedatangannya di sambut oleh Debi.
“Pagi Ris” sapa Debi pada Riski
“Pagi” singkat, tapi udah nggak pakai galak lagi
“Hari ini gue kok nggak liat muka sepet lo sih ??”
“Gara-gara ada yang baru, gue suka kok”
Setelah berkata seperti itu Riski langsung pergi mendahului Debi tapi Debi malah berhenti. Debi kurang percaya dengan apa yang baru saja dia dengar “artinya lo suka ??” tanya Debi setengah berteriak karena posisi Riski yang semakin menjauh. Riski mendengar itu tapi dia nggak mengeluarkan satu kata pun. Debi nggak peduli soal itu yang penting dia tau Riski menyukai tas pemberian nya.
Riski lebih dulu sampai di kelas, dia kembali duduk di tempat yang kemarin sempat dia tinggalkan. Lalu muncul muka Debi dari balik pintu dan bergerak cepat ke arah Riski dan mengambil alih tempat duduk sebelah Riski.
“Ngapain lo disini ??” Tanya Riski jutek lagi.
“Biarin, gue pengen duduk sebelah elo aja. Kenapa ?? nggak suka ??” jawab Debi tanpa rasa nggak enak sedikit pun, padahal secara nggak langsung Riski sedang berusaha mengusirnya.
“Terserah, gue nggak perduli asal lo jangan ganggu gue aja” jawab Riski.
“Siap deh !!”.
“Lo tu kenapa sih seneng banget deket-deket gue ??”.
“Gue suka liat mata elo”.
“Mata ?? emang mata gue kanapa ??”
“Nggak tau, gue suka aja soalnya gue kalo nilai cowok yang pertama gue perhatiin cuma mata. Baru pertama kali ini ngerasa nyaman liat mata orang” secara nggak sengaja Debi jadi curhat sama Riski dan nggak tau kenapa saat Debi curhat Riski mau dengerin sampai ikut berpikir.
“Baru kali ini gue tau ada orang yang bisa suka ma orang gara-gara mata. Gue yakin kalo bukan itu alasan lo deketin gue”
“Terserah sih mau percaya ato nggak, tapi emang gitu kok kenyataanya. Gue juga jarang bisa natap mata orang, gue baru bener-bener bisa natap mata orang kalo gue lihat bintang di mata orang itu”
“Konyol, bintang tu di langit !! ngapain lo nyari di mata orang ??”
“Kali ini kita bahas perasaan ya, bukan pelajaran” nada Debi setengah jengkel
“Hahaha !! bisa kesel juga lo ??”
“Gue juga manusia tau !!”
“Awalnya sih gue pikir lo bukan manusia”
“Iiiiihh..nyebelin banget sih lo”
“Emang kenapa kalo nyebelin ?? lo juga nggak bisa benci ma gue”
“Iya juga sih, tau nih kenapa gue bego banget”
“Emang”
Akhirnya momen yang selama ini di nantikan Debi muncul juga. Dia bisa ngobrol nyantai sama Riski sampai sifat manja yang selama ini dia sembunyikan jadi sedikit muncul. Sebenarnya itu malah jadi poin plus juga buat Debi karena Riski suka gemes kalau lihat cewek manja.
Jam pelajaran akhirnya di mulai dan mau nggak mau kebahagiaan Debi harus di akhiri sekarang juga sebelum dia mendapat penderitaan dari Bu Dwi. Guru yang terkenal sangat killer sampai-sampai lalat nggak ada yang berani berdansa di atas kotak pensil beliau karena takut di pelototin.
==*==
“Teng!! teng!! teng!!” bel yang sedari jam 7 tadi telah di nanti para siswa SMA N 1 Gondang akhirnya muncul juga. Waktunya pulang !! itulah sebab kenapa hampir semua siswa menanti bel itu. Karena mereka sekolah hanya untuk menunggu bel istirahat dan pulang saja, bel masuk malah di anggep terompet kematian. Tapi semua itu nggak berlaku buat Debi, bel pulang buat Debi artinya berakhirnya dia melihat bintang.
Di saat sekolah mulai terlihat sepi Debi baru keluar dari kelas dan berjalan menuju taman dimana dia kemarin bertemu dengan Riski. Taman itu berada tepat di depan pintu kelas XII.IA.2, kelas Debi dan Riski.
“Ngapain disini ??” suara Riski tiba-tiba muncul dari belakang Debi yang sedang duduk di bangku taman, menghadap ke arah pintu kelas.
“Lo sendiri ngapain ??” jawab Debi setengah heran karena melihat Riski masih berada di sekolah.
“Gue tadi sengaja sholat dhuhur di sekolah” jawab Riski
“Masjid kan di depan, ngapain lo disini ??”
“Ada yang ketinggalan”
“Apa ?”
“HP gue”
“Oh iya, gue yang bawa ya ?? maaf gue lupa”
“Bukan nya lo emang pelupa”
“Dikit sih, gue aja nggak bisa lupa sama elo”
“Bullshit”
“Lo tu seneng banget sih marah-marah, ada kelainan lo ya ??”
“Lo sendiri maunya apa deket-deket gue terus ??”
“Gue pengen bisa liat mata lo setiap hari”
“Gue nggak percaya itu alasan lo. Gue pulang dulu” ucap Riski sambil berlalu meninggalkan Debi.
“Waktu gue tinggal dikit, gue harus bisa selesaikan ini semua secepat mungkin” ucap Debi pelan saat dia merasa kalau Riski udah nggak ada di sekitar situ. Tapi dugaan Debi salah, Riski masih berada di sekitar situ karena tali sepatunya terinjak oleh kakinya sendiri jadi dia berhenti untuk membenahi tali yang lepas itu.
Tanpa di sengaja Riski mendengar ucapan Debi, hanya senyum kecil yang di keluarkan oleh bibir Riski. Lalu dia segera melanjutkan perjalanannya yang sempat terhenti.
==*==
“Hai..ngapain tu ??” sms dari Debi yang baru saja masuk ke HP Riski tanpa mikir panjang lagi Riski langsung menjawab sms tadi “gk ngpa2in. knp ??”. setelah beberapa detik Riski mendapat jawaban dari Debi “mkn bareng yuk, gw yg traktir..cuma lo jmput gw di skul skrg”.
“Ni orang maunya apa sih ??” Tanya yang selalu muncul dalam otak Riski tapi sampai saat ini dia nggak bisa nemuin jawabanya. Untuk ke dua kalinya Riski meng-iyakan ajakan Debi untuk bertemu dan pertama kalinya juga Riski mau menjemput Debi. Riski yang tadinya sedang tiduran di kamar langsung bersiap untuk berangkat ke sekolah. Kebetulan juga cacing yang ada di perut Riski mulai demo dan harus segera di amankan sebelum mengancam keselamatan isi perut Riski.
Gerbang sekolah semakin dekat dan Riski sudah melihat sosok Debi sedang berdiri di depan pintu. Debi masih mengenakan seragam lengkap, Riski baru menyadari bahwa sedari tadi Debi belum pulang ke rumah juga.
Riski berhenti tepat di depan Debi “cepet naik !!” Suruh Riski.
“Sabar kenapa ? baru juga nyampai”.
“Laper gue” jawab Riski singkat.
“Yayaya..gue ngerti” Debi langsung naik dan duduk di belakang Riski.
Riski dan Debi memutuskan untuk berhenti di rumah makan depan SMA Taruna Nusa Harapan Mojokerto. Setelah masuk ke dalam Riski dan Debi bertemu teman sekelas mereka yang juga sahabat Debi sedang makan di sana. Sarah terlihat sangat kaget melihat mereka berdua ada di tempat itu.
“Ris, lo pesen dulu dah, ni dompet gue bawa. Lo ambil sendiri, gue mau temuin Sarah bentar” ucap Debi sambil memberikan dompetnya pada Riski dan Riski menuruti kata-katanya lalu pergi ke tempat
pemesanan makanan.
Debi berjalan menuju ke arah Sarah tapi Sarah malah bersiap-siap untuk pergi. Melihat kelakuan sahabatnya itu membuat Debi kehilangan senyum yang sedari tadi Debi kantongi.
“Lo mau kemana sar ?? kok lo pergi ??” Tanya Debi sedikit khawatir tapi Sarah nggak mau membuka mulutnya sedikit pun dan langsung buru-buru pergi dari tempat itu. Karena Debi masih belum ngerti apa yang telah terjadi terhadap sahabatnya itu maka dia juga ikut keluar untuk mengejar Sarah.
Sesampai di luar halaman tempat itu akhirnya Debi mampu mengejar Sarah dan menarik tangan Sarah tapi Sarah berusaha melepas tangan Debi dan Debi melepaskannya.
“Lo tu kenapa sih ??” Tanya Debi
“Lo tu yang kenapa ??” jawab Sarah sedikit emosi
“Maksud lo apa ??”
“Pikir sendiri” lalu sarah berjalan mininggalkan Debi
Debi terdiam sejenak “Lo suka sama Riski ??” pertanyaan itu tiba-tiba saja terucap di bibir Debi dan tanpa di sengaja juga mata Debi menjadi berkaca-kaca. Tapi mendengar pertanyaan itu Sarah hanya membalik badan nya sebentar lalu kembali lagi berjalan menuju tempat dia memarkir motor. “kenapa Sarah berubah ?? apa bener dia suka sama Riski ??” pertanyaan itu sekarang mulai jadi hantu di kepala Debi.
Debi kembali ke dalam rumah makan itu untuk menemui Riski kembali. Di sana dia melihat Riski sedang duduk di bangku paling belakang dan Debi pun berjalan menuju kesana lalu duduk di depan tempat Riski duduk.
“Gue dah pesenin lo, terserah lo suka apa nggak” ucap Riski yang sedang duduk tanpa memegang makanannya sedikit pun.
“Kok lo nggak makan ??” Tanya Debi pelan. Sekarang Debi kelihatan seperti orang nyasar yang bingung nyari dimana rumahnya.
“Gue nungguin lo laah” lalu Riski membuka bungkus chesse burger yang ada di depan nya “gue makan dulu ya, laper” tanpa perduli dengan apa yang udah terjadi sama Debi, Riski langsung memakan makannan yang dia pegang itu.
“Gue nggak laper” ucap Debi tiba-tiba. Mendengar itu Riski langsung menghentikan makannya dan barulah dia tahu kalau Debi sedang sedih.
“Makanannya kan kasian, lo nggak suka ma pesenan gue ??” ucap Riski dambil sedikit merayu Debi agar dia mau memakan makanannya.
“ehhm..nggak kok, gue suka”
“yaudah lo makan ya” kata-kata itu sebernya cukup membuat Debi sedikit lega tapi dia belum bisa menghapus kesedihannya. Lalu Debi perlahan mengambil makanan di depan nya dan memakannya sedikit demi sedikit.
Buat Debi semua ini terasa sia-sia kalau dia mendapat sedikit perhatian dari Riski tetapi harus kehilangan segunung perhatian dari sahabatnya.
“Gue mau pulang !!” tiba-tiba kalimat itu mengagetkan Riski yang sedang berkonsentrasi dengan serat-serat yang terkandung dalam makanan itu.
“Enak aja, makanan gue tinggal dikit” tolak Riski mentah-mentah.
“Lo terusin sendiri aja, gue mau pulang !!” tanpa pikir panjang Debi langsung pergi meninggalkan Riski sendirian di tempat itu. Akhirnya Riski mau nggak mau harus mau menghentikan aktifitas makan nya itu dan menyusul Debi yang sedang berusaha pulang jalan kaki.
“Eh bego, lo tu ngapain sih ??” sentak Riski dari belakang setelah ia berhasil menyusul Debi.
Akhirnya Debi berhenti dan melihat ke arah Riski “gue mau pulang” jawab Debi tapi setelah itu dia langsung kembali berjalan.
“Gue juga mau pulang, lo jangan bikin gue semakin nglanggar lalu lintas dong. Ini jalan searah dan gue belum punya SIM. Lo liat juga dong sekarang mendung, bentar lagi hujan. Lo juga mau nyampe rumah besok ?? orang dompet lo masih di gue. Lo balik nggak ?? kalo lo nggak mau balik gue pulang sendiri.”
Debi baru ingat kalu dompetnya masih di bawa oleh Riski, mustahil untuk Debi jika dia harus pulang jalan kaki sampai rumah. Debi memutuskan untuk memutar balik arah perjalanannya jadi menuju ke arah Riski berhenti menunggunya.
Sesampai di sebelah Riski Debi langsung mengambil helm yang ada di tangan kiri Riski dan segera naik ke atas motor. Tanpa banyak tanya Riski langsung memutar balik motornya dan mengikuti arah yang benar. Saat itu pandangan Debi benar-benar kosong, sampai dia nggak tau Riski membawa dia kemana.
Tiba-tiba Riski menghentikan laju motornya yang Debi yakini itu bukan rumahnya.
“Ngapain kita kesini ??” Tanya Debi setelah dia turun dari motor
“Kita naik yuk” Riski mengajak Debi ke atas bangunan yang ada di atas pinggiran sungai besar. Debi menuruti kata-kata Riski untuk naik ke tempat itu. Sesampainya di atas Debi merasa sedang berdiri di atas kapal yang sedang berada di tengah laut. “Sungai ini emang nggak seindah laut yang biasa lo lihat di bali tapi gue yakin kalo disini lo bakal bisa ngerasa sedikit tenang” sambung Riski saat mereka berada di pinggiran tempat itu untuk melihat lebih jelas kekayaan kota yang mereka tinggali. Debi masih belum bisa berkomentar apa-apa, dia hanya melihat ke arah sungai sambil menahan tetesan air mata yang hampir jatuh. “Sarah kenapa ??” Tanya Riski.
“Dia suka sama elo” jawab Debi di dampingi dengan jatuhnya tetesan air mata ke pipinya itu.
“Terus apa yang bikin lo sedih ??” Tanya Riski dengan nada pelan seakan dia mengerti apa yang sedang Debi rasakan.
“Gue nggak mungkin saingan sama sahabat gue sendiri, lo ngerti nggak sih gimana rasanya ??”
“Gue tau, gue nggak akan ngerti sama apa yang lo rasain tapi gue tau kalo bukan itu alasan Sarah berubah sama elo”
Perlahan tetesan air mulai jatuh dari langit tapi Debi semakin nggak ngerti sama apa yang udah di omongin sama Riski.
“Maksud lo apa ?? lo tahu ??” Tanya Debi
“Gue tadi liat kalian berdua ribut di luar, sebenernya ya tadi gue pengen langsung jelasin ke kalian tentang kejadian yang sebenernya tapi gue nggak bisa. Gue terlanjur sakit hati sama lo”
“Maksud lo apa sih ?? gue nggak ngerti, lo bilang lo benci sama gue. Emang gue ada salah apa sama lo ??”
Guyuran air dari langit semakin lama semakin deras, tapi meraka berdua nggak perduli akan hal itu. Hati Debi menjadi semakin galau mendengar pengakuan Riski. Riski hanya diam mendengar pertanyaan Debi.
“Kenapa lo diem ? sebenernya apa yang lo sembunyiin dari gue ??”
“Oke !! gue ngaku, gue yang bikin kalian berantem. Gue ngomong sama Nino kalo sebenernya Sarah mau pacaran sama Nino cuma gara-gara fisik Nino yang hampir mendekati sempurna, karena Nino anak orang kaya, populer di sekolah dan Sarah cuma pengen manfaatin kelebihan Nino” jelas Riski dengan keras tapi suaranya masih terkalahkan sama derasnya hujan.
“Lalu kenapa Sarah marah sama gue ??”
“Karena saat Sarah putus sama Nino Sarah nanya sama gue kenapa gue ngomong gitu sama Nino dan gue bilang kalo elo yang cerita sama gue”
“Apa ?? kenapa lo selicik itu ?? gue nyesel udah suka sama elo !!” tanpa di sadari tiba-tiba mengalir darah dari hidung Debi.
“Lo nggak papa Deb ??” Riski khawatir dan dia berusaha mengusap darah yang ada di hidung Debi tapi Debi langsung menepis tangan Riski dan berlari meninggalkan Riski sendirian.
“Ciiiit…!!! Bruuaaak !!” mendengar itu Riski langsung berlari ke bawah untuk melihat apa yang terjadi. Setelah melihat apa yang terjadi Riski langsung merasa nggak berdaya, kakinya lemas melihat seseorang yang jatuh pingsan di depan mobil itu adalah Debi. Sementara Riski masih terpaku melihat kejadian itu Debi langsung di masukan ke dalam mobil yang tadi menabraknya untuk segera di larikan ke Rumah Sakit terdekat. Melihat mobil itu mulai membawa Debi pergi Riski langsung mengambil motornya dan mengikuti kemana mobil itu melaju dari belakang.
==*==
Sampai malam ini Riski masih di depan ruang UGD R.S Gatoel untuk menunggu kabar dari dokter dan menunggu orang tua Debi datang. Riski sangat merasa gelisah juga di sertai rasa bersalah, dia merasa kalau dia adalah penyebab terjadinya kecelakaan ini. Di saat Riski memutuskan akan pergi ke mushola Rumah Sakit untuk sholat isya tiba-tiba ada yang menghentikan langakahnya.
“Riski !!” Ternyata Sarah datang lebih dulu.
“Kebetulan lo dateng Sar, gue mau sholat dulu. Ntar ada juga yang pengen gue omongin sama elo”
“Langsung ngilang aja lo thu !! gimana keadaan Debi ??” ujar Sarah dengan nada jengkel.
“?Dokter belum ngasih kabar, dari tadi gue juga nungguin. Trus lo udah bilang ma orang tuanya Debi ??”
“Udah, tapi mereka tadi ada di Surabaya jadi mungkin mereka datang telat”
“Yaudah lo tunggu disini, gue mau sholat”
Sekitar kurang lebih 10 menit Riski selesai sholat dan kembali menemui Sarah. Disana Riski juga melihat dua orang yang masih asing di mata dia. Riski langsung berpikir kalau itu adalah orang tua Debi.
“Malem om, tante” sapa Riski pada dua orang yang di lihatnya itu.
“Malem, kamu yang namanya Riski ??” tanya ibu Debi
“Iya tante, saya minta maaf. Saya yang udah bikin Debi kecelakaan”
“Nggak papa nak, ini sudah jadi rencana Allah”
“Tapi kalau Debi nggak pergi sama saya mungkin ini nggak akan terjadi sama Debi tante. Kalau Debi nggak kecewa sama saya mungkin juga dia nggak akan lari sampai…”
“Cukup !!” potong ibu Debi sebelum Riski selesai melanjutkan kata-katanya.
Akhirnya dokter yang sedari tadi merawat Debi keluar dari ruang UGD. Orang tua Debi langsung mendekati Dokter itu.
“Gimana anak saya dok ??” Tanya ayah Debi dengan penuh rasa khawatir
“Kami sudah maksimal, tapi ma’af” ucap dokter itu penuh dengan hati-hati.
Tangisan histeris langsung di keluarkan oleh Sarah dan Ibunya Debi. Ayah Debi merasa sangat terpukul dan langsung pergi mencari tempat yang lebih sepi. Riski juga sangat merasa kehilangan di tambah lagi rasa bersalah itu semakin besar. Riski pergi juga melakukan hal yang sama dengan ayah Debi, dia pergi menjauh. Tapi ternyata mereka mereka malah bertemu di satu tempat. Mereka bertemu di kolam ikan yang berada di taman belakang ruang kamar Teratai bersama sisa hujan yang masih belum habis .
“Debi sangat suka hujan” ucap ayah Debi mengawali pembicaraan dengan Riski tanpa melihat ke arah Riski, pandangannya tertuju pada kolam ikan yang ada di depan nya.
“Saya minta maaf om, saya penyebab semua ini”
“Nggak nak, justru kamu adalah penyemangat hidup Debi”
“Maksud om ??”
“Sekitar satu tahun yang lalu Debi di Diagnosa positif terkena Leukimia”
“Apa ??” Riski kaget mendengar cerita Ayah Debi “tapi kenapa dia masih sekolah om ?? kenapa nggak istirahat saja ??”
“Debi nggak ingin diperlakukan seperti itu. Kerena dia..” belum sempat ayah Debi melanjutkan kalimatnya sudah di potong oleh panggilan ibu. Mereka berdua pergi meninggalkan tempat itu.
==*==
Setelah dua hari setelah kematian Debi.
“Maafin gue sar, gue yang salah. Ntar dah yang jelasin ke Nino” Riski mengakui apa yang sudah dia lakukan sampai akhirnya membuat Sarah dan Debi berantem.
“Ini bukan masalah Nino ris, yang jadi pertanyaan kenapa lo nglakuin itu ??”
“karena gue benci sama Debi, meskipun sebenernya rasa sayang gue lebih gede”
“Benci ?? kenapa ??”
“Karena dia udah nuker kertas ulangan gue, udah rusakin tas gue dan banyak keusilan yang lain. Gue nggak ngerti kenapa dia kayak gitu ??”
“Debi ?? dasar bego lo !! justru dia yang selama ini selametin lo !! lo tau nggak sapa orang yang udah ngerjain lo sampek kayak gitu ?? Alvin !! dia nggak suka sama elo. dia merasa lo saingan dia” mendengar penjelasan Sarah Riski hanya bisa terdiam.
Sepulang dari sekolah Riski langsung pergi ke temapat dimana Debi di makamkan. Setelah dia menemukan tempat Debi di makamkan Riski duduk di sebelahnya sambil mengelus batu nisan yang tertera nama “Debi Aulia” di atasnya .
“Gue nyesel udah berlaku kasar sama lo, nyesel udah nuduh lo yang aneh-aneh, gue nyesel udah raguin cinta lo dan yang pasti gue nyesel bohongin perasaan gue sendiri. Sekarang gue pengen minta maaf dan pengen bilang kalo gue sayang sama lo Deb. Gue suka sama lo dari pertama lo masuk sekolah tapi semua rasa itu hancur di saat gue liat lo di kelas lagi berusaha nuker bangku rusak itu ke tempat gue. Sekarang gue baru tau kalo lo sebenernya lindungin gue. Makasih Deb udah jadi “MALAIKAT PELINDUNG “gue, makasiih juga buat puisi yang lo selipin di tas pemberian Lo”.
Tersenyumlah saat kau mengingatku
Karena saat itu aku sangat merindukanmu
Dan menangislah saat kau merindukanku
Karena saat itu aku tak berada di sisimu
Tetepi pejamkanlah mata indahmu itu
Karena saat itu aku akan terasa ada di dekatmu
Karena aku telah berada di hatimu selamanya
Tak ada yang tersisa lagi untukku
Selain kenangan-kenangan indah bersamamu
Mata indah yang dahulu adalah milikku
Kini semuanya terasa jauh meninggalkanku
Kehidupan terasa kosong tanpa keindahanmu
Hati, cinta dan rinduku adalah milikmu
Cintamu tak kan pernah membebaskanku
Bagaimana mungkin aku terbang mencari cinta yang lain
Saat sayap-sayapku telah patah kerenamu
Cintamu akan tetap timggal bersamaku
Hingga akhir hayatku dan setelah kematian
Jumat, 17 Desember 2010
Senin, 13 Desember 2010
ULANGAN AKHIR SEMESTER GANJIL SPEAKING
ULANGAN AKHIR SEMESTER GANJIL
1.if you want to camping, what do you need??
a.tent
b.sleeping bed
c.instant food
d.fresh water
e.flash light
f.snack
g.medicine
h.mat
i.cooking set
j.jacket
2.Make a conversation between receptionist and guess!
Imagine that you are as a hotel receptionist
Receptionist: Good morning, Grand Trawas Hotel. May I help you?
Eny : Yes. I´d like to book a room, please.
Receptionist: Certainly. When for, madam?
Eny : March the 23rd.
Receptionist: How long will you be staying?
Eny: Three nights.
Receptionist: What kind of room would you like, madam?
Eny: Er... double with bath. I´d appreciate it if you could give me a room with a view over the lake.
Receptionist: Certainly, madam. I´ll just check what we have available. . . Yes, we have a room on the 4th floor with a really splendid view.
Eny : Fine. How much is the charge per night?
Receptionist: Would you like breakfast?
Eny: No, thanks.
Receptionist: It´s eight hundred thousand per night excluding VAT.
Eny: That´s fine.
Receptionist: Who´s the booking for, please, madam?
Eny: Mrs Eny,
Receptionist: Okay, let me make sure I got that:Mrs Eny. Double with bath for december the 13rd, 14th and 15th. Is that correct?
Eny : Yes it is. Thank you.
Receptionist: Let me give you your confirmation number. It´s: 085730626300. I´ll repeat that:085730626300. Thank you for choosing Grand Trawas Hotel and have a nice day. Goodbye.
Eny : Goodbye.
3.Mojokerto Regency has many potential tourism objects but it lack of promotion,now try to make a promotion about tourism objects in Mojokerto!
UBALAN SWIMMING POOL
Ubalan swimming pool is located in south of Mojokerto. It has strategic location. The wide of are about 1000 meters. There are three pool,one of pools especially for children in ubalan also many facilitaes. There are playground,outbond,café,etc. Theprice of ticket is cheap. Its about 6000 rupias and additional ticket for swimming about 5000.
Ubalan is one of beautiful tourism in Mojokerto. It has nice view,natural atmosphere,cheap and safety park area.
We can spend our holiday and weekend in ubalan. Its must be exciting.
So you must go to ubalan. Its very nice for your holiday
Bekucuk natural fire
Bekucuk natural fire is an ancient well. Its location is at Bekucuk sub-village, Tempuran village, Sooko district, about 2 km West side of Mojokerto city. It release natural gas with fire. The fire can reach 10 m height. The fire is unique because it can be off and on. This natural fire cannot disappear although it gets rain. This is a unique natural happen in Mojokerto regency.
Visit Bekucuk natural fire to show the real fantastic fire.Come get there now ! ...Definitely will not regret it ..
Kolam Segaran
Segaran pool located not far from the District Trowulan, precisely in the Village Temon, Mojokerto regency, the easiest sites to be visited of all sites contained Majapahit in this area, exactly 500 meters to the south of Provincial Highway Mojokerto Jombang.
This site is an ancient relic pool during the Majapahit Kingdom, 7 centuries ago. Swimming Segaran, was first discovered by Ir. Other Mac Pont in 1926 was that a length of 375 meters, 175 meters wide, thick edge depth of 160 centimeters by 288 centimeters, always filled with water height of 150 to 200 centimeters during the rainy season. Using brick construction as limiting the pool, and unique bricks are arranged in such a way without adhesive just rubbed rubbing each other. Source pond water obtained from the incoming water line kekolam and rain water. Presumably once this pool also serves as a reservoir and water reservoir, is a form of capacity building for technology Majapahit kingdom wet, experts estimate this pool is equal to the word "lake" mentioned in the book Negarakertagama.
1.if you want to camping, what do you need??
a.tent
b.sleeping bed
c.instant food
d.fresh water
e.flash light
f.snack
g.medicine
h.mat
i.cooking set
j.jacket
2.Make a conversation between receptionist and guess!
Imagine that you are as a hotel receptionist
Receptionist: Good morning, Grand Trawas Hotel. May I help you?
Eny : Yes. I´d like to book a room, please.
Receptionist: Certainly. When for, madam?
Eny : March the 23rd.
Receptionist: How long will you be staying?
Eny: Three nights.
Receptionist: What kind of room would you like, madam?
Eny: Er... double with bath. I´d appreciate it if you could give me a room with a view over the lake.
Receptionist: Certainly, madam. I´ll just check what we have available. . . Yes, we have a room on the 4th floor with a really splendid view.
Eny : Fine. How much is the charge per night?
Receptionist: Would you like breakfast?
Eny: No, thanks.
Receptionist: It´s eight hundred thousand per night excluding VAT.
Eny: That´s fine.
Receptionist: Who´s the booking for, please, madam?
Eny: Mrs Eny,
Receptionist: Okay, let me make sure I got that:Mrs Eny. Double with bath for december the 13rd, 14th and 15th. Is that correct?
Eny : Yes it is. Thank you.
Receptionist: Let me give you your confirmation number. It´s: 085730626300. I´ll repeat that:085730626300. Thank you for choosing Grand Trawas Hotel and have a nice day. Goodbye.
Eny : Goodbye.
3.Mojokerto Regency has many potential tourism objects but it lack of promotion,now try to make a promotion about tourism objects in Mojokerto!
UBALAN SWIMMING POOL
Ubalan swimming pool is located in south of Mojokerto. It has strategic location. The wide of are about 1000 meters. There are three pool,one of pools especially for children in ubalan also many facilitaes. There are playground,outbond,café,etc. Theprice of ticket is cheap. Its about 6000 rupias and additional ticket for swimming about 5000.
Ubalan is one of beautiful tourism in Mojokerto. It has nice view,natural atmosphere,cheap and safety park area.
We can spend our holiday and weekend in ubalan. Its must be exciting.
So you must go to ubalan. Its very nice for your holiday
Bekucuk natural fire
Bekucuk natural fire is an ancient well. Its location is at Bekucuk sub-village, Tempuran village, Sooko district, about 2 km West side of Mojokerto city. It release natural gas with fire. The fire can reach 10 m height. The fire is unique because it can be off and on. This natural fire cannot disappear although it gets rain. This is a unique natural happen in Mojokerto regency.
Visit Bekucuk natural fire to show the real fantastic fire.Come get there now ! ...Definitely will not regret it ..
Kolam Segaran
Segaran pool located not far from the District Trowulan, precisely in the Village Temon, Mojokerto regency, the easiest sites to be visited of all sites contained Majapahit in this area, exactly 500 meters to the south of Provincial Highway Mojokerto Jombang.
This site is an ancient relic pool during the Majapahit Kingdom, 7 centuries ago. Swimming Segaran, was first discovered by Ir. Other Mac Pont in 1926 was that a length of 375 meters, 175 meters wide, thick edge depth of 160 centimeters by 288 centimeters, always filled with water height of 150 to 200 centimeters during the rainy season. Using brick construction as limiting the pool, and unique bricks are arranged in such a way without adhesive just rubbed rubbing each other. Source pond water obtained from the incoming water line kekolam and rain water. Presumably once this pool also serves as a reservoir and water reservoir, is a form of capacity building for technology Majapahit kingdom wet, experts estimate this pool is equal to the word "lake" mentioned in the book Negarakertagama.
Kamis, 25 November 2010
THE POETRY OF LOVE
IN TIME
it’s not too late to let it go
it’s not too late to break
it’s not too late to say i’m sorry
it’s true
it might not be the easiest
it might be hard to try
the madness gonna wreck it down
deeply cut the heart
as you ready be strong
take your soul and flying high to the sky
and you fade away, disappear in time
it’s not too late to let it go
it’s not too late to break
it’s not too late to say i’m sorry
it’s true
it might not be the easiest
it might be hard to try
the madness gonna wreck it down
deeply cut the heart
as you ready be strong
take your soul and flying high to the sky
and you fade away, disappear in time
About Mojo Fruit - Aegle Marmelos Correa
About Mojo Fruit - Aegle Marmelos Correa
Mojo Fruit (Aegle Marmelos Correa) is rareness fruit, which many found in East Java area especially in Mojokerto regency and its surroundings. Mojo Fruit has two compounds, namely antiviral compound and poison compound. Antiviral compound is enough useful because can be applied to fight against bacterium, microbe, and virus, while the poison compound is exactly harm because it can make a death. But even many publics assuming that Mojo fruit cannot be consumed, the reality is there are many people who wish to look after it.
There are some opinion say that Mojo (Aegle Marmelos) tree, which is the legend plant in Indonesia, simply have many special qualities. The mosquitoes are not like its bitter taste, so that its extract is applicable to avoid mosquito if it rub to arm and foot.
Mojo Tree yield fruit of equal fruit like Citrus Maxima, the fruit is green, its kernel is white like white pumpkin and small seed. While, the old Mojo is amber with white kernel, tasted bitter.
Mojo Fruit is historic fruit, related to the forming of the biggest Kingdom in Indonesia, Mojopahit. It is said that Mojo fruit found when Raden Wijaya is permitted to cut open Tarik forest. With his army and Madura team helps, he cut open the forest so that it was good to occupied. When they were working, one of the army felt hungry. Then the guard to try to look for food in the middle of the forest, but he just meet Mojo tree with the circular fruit and green. The guard was thinking to eat this Mojo fruit. Then he ate the fruit, which actually the taste is bitter. Involuntary, he said that Mojo fruit is bitter. Because most of all area in the forest is grown by Mojo tree which is bitter, hence after that, the place is named Mojopahit, which means; the bitter Mojo fruit.
Then finally, the name of Mojopahit Kingdom is very famous until now on and believes as Indonesians genesis. Now, many people who have never see Mojo fruit. But, Mojo tree are found in many area such as; Mojokerto, Nganjuk, Jombang and its surroundings. Even its special quality is not known yet, but it is quite a few of people who wish to plant Mojo tree as house yard decorator in order to seen green and fresh.
The kingdom of Majapahit
INTRODUCTION
The kingdom of Majapahit, with its capital in East Java, flourished at the end of what is known as Indonesia's 'classical age'. This was a period in which the religions of Hinduism and Buddhism were predominant cultural influences. Beginning with the first appearance of Hinduized kingdoms in the archipelago in the 5th century A.D., this classical age was to last for more than a millennium, until the final collapse of Majapahit in the early 16th century and the establishing of Java's first Islamic sultanate at Demak.
Legend has it that Hindu civilization and culture were introduced to Java in A.D. 78 by the sage Aji Saka. This figure is often associated with Agastya, the patron saint of southern India, whose image is a common sight on the southern walls of Central Javanese Hindu temples. Not unlike the god Neptune in appearance, Agastya is also recognized as Shiwa in his form of divine teacher. When he first brought the message of Hinduism to southern India, it is said that he stood in the north and faced south.
The way in which Hindu/Buddhist culture was transmitted to Indonesia is still not yet fully understood. Older theories suggesting immigration and colonization by Indian merchants and settlers have tended to lose favour in the light of recent advances made in the fields of history and archaeology. The case seems rather to have been one in which the native Indonesians themselves played an active role in the selection and adaptation of foreign cultural forms, through which they were inspired.
The great flowering of Hindu-Javanese civilization which sprang up in Central Java during the 8th and 9th centuries may be seen as the product of a dialogue between, on the one hand, the established forms of classical Hinduism and Buddhism, and on the other, the innovative qualities of a society whose traditional beliefs and customs were already firmly entrenched.
The oldest datable evidence of a Hindu civilization in Indonesia comes from Kutei in eastern Kalimantan (Borneo). Stone inscriptions, written in sanskrit and dating from around A.D. 400, record the reign of a King Mulawarman. At about the same time, in West Java, there existed a kingdom named Tarumanagara, yet more than this little is known, on account of the scarcity of archaeological remains.
It is not until the 7th and 8th centuries that the picture becomes clearer. This period, which saw the rise of the maritime empire of Sriwijaya in south eastern Sumatra, as well as the emergence of the Central Javanese kingdom of Mataram, marked the beginning of a golden age in Indonesian history.
In the whole course of my life I have never met with such stupendous and finished specimens of human labour, and of the science and taste of ages long since forgot, crowded together in so small a compass as in this little spot'
Thus exclaimed Captain George Baker when first confronted by the ruins of Candi Sewu, or the 'Temple of a Thousand Buddhas', at Prambanan, near Yogyakarta, early in the 19th century. Baker, who had been given the task of surveying the antiquities of Java by Thomas Stamford Raffles, then governor of the island, was no stranger to India, nor to other parts of south east Asia.
Yet, the extensive ruins to be found in the mountains and on the plains of Central Java were beyond anything which he had yet seen. The remains of Borobudur, Prambanan, Sewu, the temple sites of Dieng and Gedong Songo, are just a few of the archaeological treasures which to this day continue to arouse similar expressions of wonder and astonishment.
Through the study of temple remains and the deciphering of ancient inscriptions on stone and metal, historians have been able to establish a quite coherent chronology for the period. Tracing an outline, the ruling power in 8th and 9th century Central Java appears to have been shared by two dynasties, whose exact relationship is not fully clear. According to the earliest known inscription, dating from A.D.732, there was a Hindu king named Sanjaya, who united the kingdom of Java and whose descendants are recorded in inscriptions for the following two centuries.
Not long after the appearance of Sanjaya, a dynasty bearing the title Sailendra emerged as the supreme authority on the southern plains. The Sailendra were adherents of Mahayana Buddhism, the religion which inspired them to embark on one of the most ambitious building programmes known to history. In the space of just one century they commissioned the construction of a vast number of religious monuments, some very large, built from hand cut blocks of volcanic stone. The remains of many of these buildings are still visible, some of the,more well known including the temples of Kalasan, Sari, Sewu, Sojiwan, Mendut, Ngawen, Pawon, as well as the massive 'temple mountain' of Borobudur, one of the architectural wonders of the world.
Sometime during the early to mid 9th century, a marriage alliance between a Sailendra princess and a king from the dynasty of Sanjaya seems to have resulted in the end of Sailendra rule in Java. At about the same time, the great Shiwa temple at Prambanan was constructed, perhaps as a monument to the return to power of the Sanjaya dynasty.
Yet, the Prambanan temple complex was barely completed when, for reasons which are still not fully comprehended, Central Java all but vanished from the records of history for about five centuries. One reason for this sudden silence, which began after the palace was moved to East Java by Mpu Sindok in A.D. 929, may well have been a violent eruption of Mt Merapi, which overlooks the plains of both Borobudur and Prambanan. In recent years, more and more archaeological sites have been discovered buried under metres of lava and volcanic dust, indicating the occurrence of a serious calamity which could well have taken place about a thousand years ago.
The kingdom of Majapahit, with its capital in East Java, flourished at the end of what is known as Indonesia's 'classical age'. This was a period in which the religions of Hinduism and Buddhism were predominant cultural influences. Beginning with the first appearance of Hinduized kingdoms in the archipelago in the 5th century A.D., this classical age was to last for more than a millennium, until the final collapse of Majapahit in the early 16th century and the establishing of Java's first Islamic sultanate at Demak.
Legend has it that Hindu civilization and culture were introduced to Java in A.D. 78 by the sage Aji Saka. This figure is often associated with Agastya, the patron saint of southern India, whose image is a common sight on the southern walls of Central Javanese Hindu temples. Not unlike the god Neptune in appearance, Agastya is also recognized as Shiwa in his form of divine teacher. When he first brought the message of Hinduism to southern India, it is said that he stood in the north and faced south.
The way in which Hindu/Buddhist culture was transmitted to Indonesia is still not yet fully understood. Older theories suggesting immigration and colonization by Indian merchants and settlers have tended to lose favour in the light of recent advances made in the fields of history and archaeology. The case seems rather to have been one in which the native Indonesians themselves played an active role in the selection and adaptation of foreign cultural forms, through which they were inspired.
The great flowering of Hindu-Javanese civilization which sprang up in Central Java during the 8th and 9th centuries may be seen as the product of a dialogue between, on the one hand, the established forms of classical Hinduism and Buddhism, and on the other, the innovative qualities of a society whose traditional beliefs and customs were already firmly entrenched.
The oldest datable evidence of a Hindu civilization in Indonesia comes from Kutei in eastern Kalimantan (Borneo). Stone inscriptions, written in sanskrit and dating from around A.D. 400, record the reign of a King Mulawarman. At about the same time, in West Java, there existed a kingdom named Tarumanagara, yet more than this little is known, on account of the scarcity of archaeological remains.
It is not until the 7th and 8th centuries that the picture becomes clearer. This period, which saw the rise of the maritime empire of Sriwijaya in south eastern Sumatra, as well as the emergence of the Central Javanese kingdom of Mataram, marked the beginning of a golden age in Indonesian history.
In the whole course of my life I have never met with such stupendous and finished specimens of human labour, and of the science and taste of ages long since forgot, crowded together in so small a compass as in this little spot'
Thus exclaimed Captain George Baker when first confronted by the ruins of Candi Sewu, or the 'Temple of a Thousand Buddhas', at Prambanan, near Yogyakarta, early in the 19th century. Baker, who had been given the task of surveying the antiquities of Java by Thomas Stamford Raffles, then governor of the island, was no stranger to India, nor to other parts of south east Asia.
Yet, the extensive ruins to be found in the mountains and on the plains of Central Java were beyond anything which he had yet seen. The remains of Borobudur, Prambanan, Sewu, the temple sites of Dieng and Gedong Songo, are just a few of the archaeological treasures which to this day continue to arouse similar expressions of wonder and astonishment.
Through the study of temple remains and the deciphering of ancient inscriptions on stone and metal, historians have been able to establish a quite coherent chronology for the period. Tracing an outline, the ruling power in 8th and 9th century Central Java appears to have been shared by two dynasties, whose exact relationship is not fully clear. According to the earliest known inscription, dating from A.D.732, there was a Hindu king named Sanjaya, who united the kingdom of Java and whose descendants are recorded in inscriptions for the following two centuries.
Not long after the appearance of Sanjaya, a dynasty bearing the title Sailendra emerged as the supreme authority on the southern plains. The Sailendra were adherents of Mahayana Buddhism, the religion which inspired them to embark on one of the most ambitious building programmes known to history. In the space of just one century they commissioned the construction of a vast number of religious monuments, some very large, built from hand cut blocks of volcanic stone. The remains of many of these buildings are still visible, some of the,more well known including the temples of Kalasan, Sari, Sewu, Sojiwan, Mendut, Ngawen, Pawon, as well as the massive 'temple mountain' of Borobudur, one of the architectural wonders of the world.
Sometime during the early to mid 9th century, a marriage alliance between a Sailendra princess and a king from the dynasty of Sanjaya seems to have resulted in the end of Sailendra rule in Java. At about the same time, the great Shiwa temple at Prambanan was constructed, perhaps as a monument to the return to power of the Sanjaya dynasty.
Yet, the Prambanan temple complex was barely completed when, for reasons which are still not fully comprehended, Central Java all but vanished from the records of history for about five centuries. One reason for this sudden silence, which began after the palace was moved to East Java by Mpu Sindok in A.D. 929, may well have been a violent eruption of Mt Merapi, which overlooks the plains of both Borobudur and Prambanan. In recent years, more and more archaeological sites have been discovered buried under metres of lava and volcanic dust, indicating the occurrence of a serious calamity which could well have taken place about a thousand years ago.
Temple of Majapahit
Temple of Majapahit
The archaeological sites of Majapahit consist, for the most part, of the remains of religious foundations, or candi, built usually from stone or brick. From the two most important and informative literary sources dealing with the history of Majapahit, the Nagarakertagama and Pararaton, we learn that a large number of sacred buildings were constructed as memorial shrines to deceased rulers and their families. The death of a king or queen saw the beginning of a series of funeral rites designed to guide the departed soul back to the source from which it had originated. These rites culminated in the shraddha ceremony, held 12 years after death, upon completion of which it was believed that final liberation was ensured. In memory of the deceased,a stone image of a god or goddess, with whom the ruler had been identified in life, was fashioned as an 'ideal portrait' and placed within a shrine. The Nagarakertagama gives a very complete description of the sbraddha ceremony conducted on behalf of the Rajapatni, grandmother of King Hayam Wuruk, in the year 1362.
It appears that more important rulers often had monuments built in several places, and were further identified with more than one divine image. Thus, King Wishnuwardhana of singosari Shiwa at Waleri (Blitar) and as Amoghapasha (a Buddhist form) at Candi Jajaghu, east of Malang. Likewise, his son and successor, Kertanagara, had memorial shrines built at Pandaan (Candi Jawi) and at Singosari. The Pararaton is especially informative concerning the names and locations of the shrines dedicated to the royal families of Singosari and Majapahit ( see page 158).
The word candi, which is commonly used to identify ancient remains dating from Indonesia's classical period, needs some explanation. The term is generally accepted today as stemming from the sanskrit candika, a name of the Hindu goddess Durga, who inhabits the graveyard. Technically speaking, therefore candi is used to denote an ancient tomb or shrine.In reality, however, we find the word employed in a much wider context, and nowadays it is applied to all manner of archaeological sites, including gateways and bathing places. In a contemporary context, then, a candi may be seen as a place containing a residing spirit, revered for both its age as well as its qualities of mystery. In this sense, it is not different to a pusaka, or sacred heirloom.
The Nagarakertagama differentiates four types of sacred building, but it is difficult to know with certainty which ones among them are properly candi and which are not. It has been suggested that buildings referred to as dharma baji, of which 27 are listed, may be considered as royal shrines. These include Kagenengan, Tumapel, Kidal, Jajaghu, Weda-wedwan, Tudan, Pikatan, Bukul,Jawa-jawa, Antang, Antasari, Kalangbret,Jaga, Balitar, Cilabrit, Waleri, Babeg, Kukap, Lumbang, Pagor, Antahpura, Segala, Simping, Ranggapura, Buddhi Kuncir, Prajnaparamitapuri and Bhayalango.
Of the above-mentioned, the only ones which we can identify with certainty today are Tumapel (Singosari), Kidal, Jajaghu (Jago), Jawa-jawa (Jawi), Simping (Sumberjati) and Bhayalango. Kagenengan and Antahpura are known from literature as being connected with Ken Angrok and Kertarajasa respectively, but the exact locations of these places are not yet known.
The archaeological sites of Majapahit consist, for the most part, of the remains of religious foundations, or candi, built usually from stone or brick. From the two most important and informative literary sources dealing with the history of Majapahit, the Nagarakertagama and Pararaton, we learn that a large number of sacred buildings were constructed as memorial shrines to deceased rulers and their families. The death of a king or queen saw the beginning of a series of funeral rites designed to guide the departed soul back to the source from which it had originated. These rites culminated in the shraddha ceremony, held 12 years after death, upon completion of which it was believed that final liberation was ensured. In memory of the deceased,a stone image of a god or goddess, with whom the ruler had been identified in life, was fashioned as an 'ideal portrait' and placed within a shrine. The Nagarakertagama gives a very complete description of the sbraddha ceremony conducted on behalf of the Rajapatni, grandmother of King Hayam Wuruk, in the year 1362.
It appears that more important rulers often had monuments built in several places, and were further identified with more than one divine image. Thus, King Wishnuwardhana of singosari Shiwa at Waleri (Blitar) and as Amoghapasha (a Buddhist form) at Candi Jajaghu, east of Malang. Likewise, his son and successor, Kertanagara, had memorial shrines built at Pandaan (Candi Jawi) and at Singosari. The Pararaton is especially informative concerning the names and locations of the shrines dedicated to the royal families of Singosari and Majapahit ( see page 158).
The word candi, which is commonly used to identify ancient remains dating from Indonesia's classical period, needs some explanation. The term is generally accepted today as stemming from the sanskrit candika, a name of the Hindu goddess Durga, who inhabits the graveyard. Technically speaking, therefore candi is used to denote an ancient tomb or shrine.In reality, however, we find the word employed in a much wider context, and nowadays it is applied to all manner of archaeological sites, including gateways and bathing places. In a contemporary context, then, a candi may be seen as a place containing a residing spirit, revered for both its age as well as its qualities of mystery. In this sense, it is not different to a pusaka, or sacred heirloom.
The Nagarakertagama differentiates four types of sacred building, but it is difficult to know with certainty which ones among them are properly candi and which are not. It has been suggested that buildings referred to as dharma baji, of which 27 are listed, may be considered as royal shrines. These include Kagenengan, Tumapel, Kidal, Jajaghu, Weda-wedwan, Tudan, Pikatan, Bukul,Jawa-jawa, Antang, Antasari, Kalangbret,Jaga, Balitar, Cilabrit, Waleri, Babeg, Kukap, Lumbang, Pagor, Antahpura, Segala, Simping, Ranggapura, Buddhi Kuncir, Prajnaparamitapuri and Bhayalango.
Of the above-mentioned, the only ones which we can identify with certainty today are Tumapel (Singosari), Kidal, Jajaghu (Jago), Jawa-jawa (Jawi), Simping (Sumberjati) and Bhayalango. Kagenengan and Antahpura are known from literature as being connected with Ken Angrok and Kertarajasa respectively, but the exact locations of these places are not yet known.
Kamis, 18 November 2010
mojokerto
About one hour by car from Surabaya lays the city of Mojokerto and just east of this the Trowulan village. Trowulan was in the 14th century the capital of the great Majapahit empire, once the mightiest kingdom on Java and the first to control the entire Indonesian archipelago (see Java facts). Majapahit's rule lasted from 1294 to the beginning of the 16th century. The Majapahit palace was supposedly a large structure surrounded by high walls with guard towers. Inside the walls there was a small town. The location was not a coincidence, this was a very rich agricultural area with a large population and large resources.
Unfortunately there is not much left of the monuments and buildings from this era today, most of them were built of wood and red bricks that has eroded. Nevertheless there are some smaller ruins in the area, one of the most famous is Candi Tikus (the rat temple). It got it's name simply because there was so many rat nests that appeared during the excavation. Most likely it was a bathing place for the queen. Other ruins are mostly foundations and gates built by stone, like Bajang Ratu.
There are museums both in Trowulan and Mojokerto telling the history of this once powerful empire. The Trowulan museum contains many interesting artifacts and descriptions of ruins and other remains of Majapahit on East Java. The museum is open daily except for Monday and is a good starting point in order to learn something about the history of Majapahit and this area.
MOJOKERTO have many temple or favorite place in mojokerto city there are : * Bajangratu Temple
* Brahu Temple
* Coban Canggu Waterfall
* Dlundung Waterfall
* Gentong Temple
* Jedong Temple
* Kasiman Tengah Temple
* Kedaton Upas Temple
* Kolam Segaran
* Pendopo Agung
* Petirtaan Jolotundo
* Reco Lanang Statue
* Sitinggil
* Tikus Temple
* Tomb of Princess from Campa
* Trowulan Museum
* Wringinlawang Temple
Unfortunately there is not much left of the monuments and buildings from this era today, most of them were built of wood and red bricks that has eroded. Nevertheless there are some smaller ruins in the area, one of the most famous is Candi Tikus (the rat temple). It got it's name simply because there was so many rat nests that appeared during the excavation. Most likely it was a bathing place for the queen. Other ruins are mostly foundations and gates built by stone, like Bajang Ratu.
There are museums both in Trowulan and Mojokerto telling the history of this once powerful empire. The Trowulan museum contains many interesting artifacts and descriptions of ruins and other remains of Majapahit on East Java. The museum is open daily except for Monday and is a good starting point in order to learn something about the history of Majapahit and this area.
MOJOKERTO have many temple or favorite place in mojokerto city there are : * Bajangratu Temple
* Brahu Temple
* Coban Canggu Waterfall
* Dlundung Waterfall
* Gentong Temple
* Jedong Temple
* Kasiman Tengah Temple
* Kedaton Upas Temple
* Kolam Segaran
* Pendopo Agung
* Petirtaan Jolotundo
* Reco Lanang Statue
* Sitinggil
* Tikus Temple
* Tomb of Princess from Campa
* Trowulan Museum
* Wringinlawang Temple
VISION AND MISSION
PROFILE SMA NEGERI 1 gondang MOJOKERTO
VISION AND MISSION? SMA NEGERI 1 gondang MOJOKERTO
VISION:
Virtuous entrepreneurial quality independent and responsible undertaking the national education
MISSION:
Growing appreciation of the teachings of the religious affiliations and culture so that a source of wisdom in the act and stand as an application of noble character
Maximize the interest of junior high graduates in the southern region Mojokerto to choose SMA NEGERI 1 Gondang as a further education level.
Maximizing the output SMA Negeri 1 Gondang with quality / high performance NUN accompanied accompanied with a high interest in order to continue on the path of Higher Education.
Increasing the participation of parents / guardians of students, community and relevant agencies in the prevention of dropouts by continuing to provide continuous guidance through the efforts of intra-and extra-curricular coaching.
Implement effectively the learning and guidance so that every student has an optimal growth with potential refers to the improvement of science and technology and entrepreneurial skills as well as environmentally sound.
VISION AND MISSION? SMA NEGERI 1 gondang MOJOKERTO
VISION:
Virtuous entrepreneurial quality independent and responsible undertaking the national education
MISSION:
Growing appreciation of the teachings of the religious affiliations and culture so that a source of wisdom in the act and stand as an application of noble character
Maximize the interest of junior high graduates in the southern region Mojokerto to choose SMA NEGERI 1 Gondang as a further education level.
Maximizing the output SMA Negeri 1 Gondang with quality / high performance NUN accompanied accompanied with a high interest in order to continue on the path of Higher Education.
Increasing the participation of parents / guardians of students, community and relevant agencies in the prevention of dropouts by continuing to provide continuous guidance through the efforts of intra-and extra-curricular coaching.
Implement effectively the learning and guidance so that every student has an optimal growth with potential refers to the improvement of science and technology and entrepreneurial skills as well as environmentally sound.
Example of dialogue interview
Job Interviews
AN INTERVIEW DIALOGUE
Read through this outline of the responses of three applicants to the same questions asked of them in an interview.
Consider their answers carefully.
Good morning, my name is Ms Martin. You've applied for the Laboratory Assistant's position right?
A. Yes.
B. Yes Ms Martin, I have.
C. Yes Ms Martin. When I saw it advertised I thought it would really suit me.
Can you tell me why you replied to our advertisement?
A. I .... I 'm not really sure .... ahh ....
B. Well, I've always enjoyed science and felt that this position would offer me an opportunity to extend my skills in this area.
C. I think that I'd be really good at this kind of work. In fact I learn so fast that I'd be looking for promotion very shortly.
Do you know exactly what you would be doing as a Laboratory Assistant?
A. Well, I don't really know for sure, but I think it's got something to do with helping out the scientists in the laboratory hasn't it?
B. A Laboratory Assistant helps to maintain scientific equipment, keeping a check on the supplies in the store, and preparing the chemicals for experiments.
C. Oh, a Lab. Assistant helps make sure that all the experiments are done properly.
What sort of student do you regard yourself as . . . did you enjoy studying while you were at school?
A. I wasn't the best student. I didn't really like study all that much, but I did it when I had to
B. I suppose I'm a reasonable student. I passed all my tests and enjoyed studying subjects that interested me.
C. I'm a really great student I didn't have to study much because I always seemed to get by without worrying too much about it.
What were your favourite subjects at school?
A. I liked Science-it was O.K. . . well, at least the bits I understood were O.K.
B. Maths and Science were my favourite subjects at school. I also enjoyed doing History.
C. I'm afraid that I only liked the ones I was good at. The others were so boring that I found them to be a thorough waste of my time.
Do you have any further plans for further study?
A. I hadn't really thought much about it . . .I don't know what courses I could do.
B. Well, I've thought about doing the part-time Chemistry Certificate course at Technical College. I think I would really benefit from doing that.
C. Well, if I had to do it I suppose I would, but now I ve finished school I'd much rather try to get my social life back into full swing again.
Suppose our company wanted you to attend an institution to further your skills.... How would you feel about this?
A. Attend a what?
B. If the course would help me improve my prospects for promotion and help me to be better at my job I would definitely do it.
C. Attend a course? When? I hope it would be in the day time? Would I get time off from work to attend it? I hope it's not at night-my social life would be ruined.
Have you ever had a job before?
A. No I haven't. I've never really been game enough to get one.
B. Yes. I have worked part-time at a take away food store-the one just round the corner. . .
C. No. I've really been too busy, what with all the study I've had to do to get a good result. . .
We have a lot of other applicants for this position. Why do you think that you deserve to get the job?
A. I can't think of any special reason-I suppose I'm no different from most other people.
B. Well, I've found out a lot about this type of work and my research suggests that I would be quite capable of doing the work involved. I also think that I would be able to handle any training course reasonably well.
C. I reckon I'd probably be the best applicant you're likely to get for the job.
Now, do you have any questions you'd like to ask me about the position?
A. No thank you. I don't think so.
B. Yes. Ms Martin, could you tell me what hours I'd have to work, and for whom I'd be working?
C. Yes. . . What's the pay like?
I think I have asked you everything I wanted to. Thank you for coming along to the interview.
A. Thank you Ms Martin. Goodbye.
B. Thank you. When will I know if I am successful?
C. Oh, think nothing of it. . . Could I see where I'll be working?
AN INTERVIEW DIALOGUE
Read through this outline of the responses of three applicants to the same questions asked of them in an interview.
Consider their answers carefully.
Good morning, my name is Ms Martin. You've applied for the Laboratory Assistant's position right?
A. Yes.
B. Yes Ms Martin, I have.
C. Yes Ms Martin. When I saw it advertised I thought it would really suit me.
Can you tell me why you replied to our advertisement?
A. I .... I 'm not really sure .... ahh ....
B. Well, I've always enjoyed science and felt that this position would offer me an opportunity to extend my skills in this area.
C. I think that I'd be really good at this kind of work. In fact I learn so fast that I'd be looking for promotion very shortly.
Do you know exactly what you would be doing as a Laboratory Assistant?
A. Well, I don't really know for sure, but I think it's got something to do with helping out the scientists in the laboratory hasn't it?
B. A Laboratory Assistant helps to maintain scientific equipment, keeping a check on the supplies in the store, and preparing the chemicals for experiments.
C. Oh, a Lab. Assistant helps make sure that all the experiments are done properly.
What sort of student do you regard yourself as . . . did you enjoy studying while you were at school?
A. I wasn't the best student. I didn't really like study all that much, but I did it when I had to
B. I suppose I'm a reasonable student. I passed all my tests and enjoyed studying subjects that interested me.
C. I'm a really great student I didn't have to study much because I always seemed to get by without worrying too much about it.
What were your favourite subjects at school?
A. I liked Science-it was O.K. . . well, at least the bits I understood were O.K.
B. Maths and Science were my favourite subjects at school. I also enjoyed doing History.
C. I'm afraid that I only liked the ones I was good at. The others were so boring that I found them to be a thorough waste of my time.
Do you have any further plans for further study?
A. I hadn't really thought much about it . . .I don't know what courses I could do.
B. Well, I've thought about doing the part-time Chemistry Certificate course at Technical College. I think I would really benefit from doing that.
C. Well, if I had to do it I suppose I would, but now I ve finished school I'd much rather try to get my social life back into full swing again.
Suppose our company wanted you to attend an institution to further your skills.... How would you feel about this?
A. Attend a what?
B. If the course would help me improve my prospects for promotion and help me to be better at my job I would definitely do it.
C. Attend a course? When? I hope it would be in the day time? Would I get time off from work to attend it? I hope it's not at night-my social life would be ruined.
Have you ever had a job before?
A. No I haven't. I've never really been game enough to get one.
B. Yes. I have worked part-time at a take away food store-the one just round the corner. . .
C. No. I've really been too busy, what with all the study I've had to do to get a good result. . .
We have a lot of other applicants for this position. Why do you think that you deserve to get the job?
A. I can't think of any special reason-I suppose I'm no different from most other people.
B. Well, I've found out a lot about this type of work and my research suggests that I would be quite capable of doing the work involved. I also think that I would be able to handle any training course reasonably well.
C. I reckon I'd probably be the best applicant you're likely to get for the job.
Now, do you have any questions you'd like to ask me about the position?
A. No thank you. I don't think so.
B. Yes. Ms Martin, could you tell me what hours I'd have to work, and for whom I'd be working?
C. Yes. . . What's the pay like?
I think I have asked you everything I wanted to. Thank you for coming along to the interview.
A. Thank you Ms Martin. Goodbye.
B. Thank you. When will I know if I am successful?
C. Oh, think nothing of it. . . Could I see where I'll be working?
Jumat, 12 November 2010
Application Letter
Cibinong, 13 November 2010
Subject: Job Application
Dear.,
Human Resources Manager
PT. Hand's Parmantindo
Jl. Bumi Raya Sentoda No. 5
Cibinong
Sincerely,
Bpk. Bambang Satrio, an assistant editor at PT. Hand's Parmantindo, inform me about the plan to develop the Ministry of Finance PT. Hand's Parmantindo.
In connection with this matter, let me ask myself (apply for a job) to join the development plan of PT. Hand's Parmantindo.
About myself, can I explain as follows:
Name: Muhammad
Place & date. born: Mojokerto, August 5, 1979
End of Education: Degree in Accounting UB
Address
: Perum mangga dua New 1, Block No.3 ZT, Mojokerto
Marital Status : Not married
Currently I am working at PT. Singo flamboyant Earth, as a staff accounting and taxation, with the main focus of work in the fields of finance and taxation.
For your consideration, I enclose:
1. Curriculum Vitae.
2. Photocopy of diploma S-1.
3. Photocopy of certificate courses / training.
4. Recent photograph.
I hope to be given a chance interview, and can explain more in depth about myself. As implied in the resume (curriculum vitae), I have the educational background, experience, potential and a hard worker.
So I have to say. Thank you for your attention.
Sincerely,
Muhammad
Subject: Job Application
Dear.,
Human Resources Manager
PT. Hand's Parmantindo
Jl. Bumi Raya Sentoda No. 5
Cibinong
Sincerely,
Bpk. Bambang Satrio, an assistant editor at PT. Hand's Parmantindo, inform me about the plan to develop the Ministry of Finance PT. Hand's Parmantindo.
In connection with this matter, let me ask myself (apply for a job) to join the development plan of PT. Hand's Parmantindo.
About myself, can I explain as follows:
Name: Muhammad
Place & date. born: Mojokerto, August 5, 1979
End of Education: Degree in Accounting UB
Address
: Perum mangga dua New 1, Block No.3 ZT, Mojokerto
Marital Status : Not married
Currently I am working at PT. Singo flamboyant Earth, as a staff accounting and taxation, with the main focus of work in the fields of finance and taxation.
For your consideration, I enclose:
1. Curriculum Vitae.
2. Photocopy of diploma S-1.
3. Photocopy of certificate courses / training.
4. Recent photograph.
I hope to be given a chance interview, and can explain more in depth about myself. As implied in the resume (curriculum vitae), I have the educational background, experience, potential and a hard worker.
So I have to say. Thank you for your attention.
Sincerely,
Muhammad
Curriculum Vitae
Curriculum Vitae
Personal Data:
Name: Muhammad
Sex : Male
Place, date of birth : Probolinggo, August 5, 1979
Citizenship: Indonesia
Marital status: Not married
Height, weight: 172 cm, 53 kg
Health: Very Good
Religion : Islam
Full address : Perum mango two New 1, Block No.3 ZT, mojokerto
Education
»Formal
1985 - 1991 SD Gajahmada, Mojokerto
1991 - 1994: SMP Negeri 1, Mojokerto
1994 - 1997: SMU Negeri 1 Sooko , Mojokerto
1997 - 2001: : Undergraduate Program (S-1) Accounting UB
»Non-Formal
1998 - 1999: Computer and Internet Courses in Puskom gilland Ganesha, Sidoarjo
1999 - 2002: English course at LBA gilland Ganesha, mojokerto
2004 - 2004 : Tax Course (Brevet A & B) in FAIUP, Jombang
Ability
1. Ability of Accounting and Administration (Book Printing & Calculation, Ledger, Petty Cash & Payroll Calculation, Inventory Controls, Updating Data Project, Teller, Salary Caldulation).
2. Tax System.
3. Ability Computer (MS Word, MS Excel, MS Power Point, MS Access, MS Outlook).
4. The ability of the Internet.
Work Experience
Working in PT. Earth flamboyant Singo, mojokerto
Period August 2001 - November 2010
Status: Employees Stay
Position: : Staff Accounting and Taxation
A brief description of work:
• Controlling the supply and purchase of office equipment.
• Helps to manufacture the company's financial statements
• Schedule a business meeting, internal meetings, and business travel.
• Doing business correspondence in Bahasa Indonesian and English (via internet or non internet).
• Conducting corporate tax calculation.
• Issuing and receiving invoices from suppliers.
• Helps to training new employees.
mojokerto, 13 November 2010
Muhammad
Personal Data:
Name: Muhammad
Sex : Male
Place, date of birth : Probolinggo, August 5, 1979
Citizenship: Indonesia
Marital status: Not married
Height, weight: 172 cm, 53 kg
Health: Very Good
Religion : Islam
Full address : Perum mango two New 1, Block No.3 ZT, mojokerto
Education
»Formal
1985 - 1991 SD Gajahmada, Mojokerto
1991 - 1994: SMP Negeri 1, Mojokerto
1994 - 1997: SMU Negeri 1 Sooko , Mojokerto
1997 - 2001: : Undergraduate Program (S-1) Accounting UB
»Non-Formal
1998 - 1999: Computer and Internet Courses in Puskom gilland Ganesha, Sidoarjo
1999 - 2002: English course at LBA gilland Ganesha, mojokerto
2004 - 2004 : Tax Course (Brevet A & B) in FAIUP, Jombang
Ability
1. Ability of Accounting and Administration (Book Printing & Calculation, Ledger, Petty Cash & Payroll Calculation, Inventory Controls, Updating Data Project, Teller, Salary Caldulation).
2. Tax System.
3. Ability Computer (MS Word, MS Excel, MS Power Point, MS Access, MS Outlook).
4. The ability of the Internet.
Work Experience
Working in PT. Earth flamboyant Singo, mojokerto
Period August 2001 - November 2010
Status: Employees Stay
Position: : Staff Accounting and Taxation
A brief description of work:
• Controlling the supply and purchase of office equipment.
• Helps to manufacture the company's financial statements
• Schedule a business meeting, internal meetings, and business travel.
• Doing business correspondence in Bahasa Indonesian and English (via internet or non internet).
• Conducting corporate tax calculation.
• Issuing and receiving invoices from suppliers.
• Helps to training new employees.
mojokerto, 13 November 2010
Muhammad
JOB VAGANCY
Job vacancy Garuda Indonesia (Persero)is the national airline of Indonesia
Garuda Indonesia (Persero)is the national airline of Indonesia. It is named after the mythical bird Garuda. It is headquartered at Soekarno-Hatta International Airport in Tangerang. In Indian Vedic tradition, Garuda is the carrier of the Hindu god Vishnu; a representation of Garuda appears in the coat of arms of Indonesia.
The airline is based in Jakarta at Soekarno-Hatta International Airport, and also has a hub at Ngurah Rai International Airport, Bali. The airline flies to a number of destinations in South-East,East Asia, the Middle East and Australia. It also previously flew to several destinations in Europe and North America. From June 2007 to July 2009, Garuda, along with all Indonesian airlines, was banned from flying to the EU. However, this ban has been lifted since July 2009.
Garuda Indonesia is listed as a 4-star airline by Skytrax, and is also listed among Skytrax's Quality Approved Airlines. It is wholly owned by the Indonesian Government and employs 6,285 staff (at March 2007)
We are seeking Rated Commercial Pilots for Boeing 737‐300/400/500 and Boeing 737‐800NG. Candidates must be Indonesian citizens who are fluent in English and of good character.
Operation Publication Analyst
Job Requirements:
* Male/ Female age max 28 years old
* Graduate S1 in Perpustakaan/Teknik Informatika from reputable university IPK min 3.00 scale 4
* Have 2 years experience in same position
* Having good communication skills in both English and Indonesia
* Good Computer literate with Ms. Excel, Ms. Word
* Strong analytical and strategic thinking
* Have excellent communication skill
* Based in Jakarta Raya - Cengkareng
Job Responsibilities:
* Gathering issue and about problem which gets bearing with changed and formative Operational Manual, one that covers External and Internal Manual
* Arranging solution and recommendation alternative suitably which gets bearing with Operation Publication's Manual
* Doing up date knowledge continually and systematics hits to process and methodology most now to things that gets bearing with Operation Manual
If you think you are the right candidate to join our team, please send your complete CV with recent photograph (4x6) and application letter to :
PT Garuda Indonesia (Persero)
Garuda City Center
Gedung Management Soekarno - Hatta International Airport
Jakarta 19120.
Garuda Indonesia (Persero)is the national airline of Indonesia. It is named after the mythical bird Garuda. It is headquartered at Soekarno-Hatta International Airport in Tangerang. In Indian Vedic tradition, Garuda is the carrier of the Hindu god Vishnu; a representation of Garuda appears in the coat of arms of Indonesia.
The airline is based in Jakarta at Soekarno-Hatta International Airport, and also has a hub at Ngurah Rai International Airport, Bali. The airline flies to a number of destinations in South-East,East Asia, the Middle East and Australia. It also previously flew to several destinations in Europe and North America. From June 2007 to July 2009, Garuda, along with all Indonesian airlines, was banned from flying to the EU. However, this ban has been lifted since July 2009.
Garuda Indonesia is listed as a 4-star airline by Skytrax, and is also listed among Skytrax's Quality Approved Airlines. It is wholly owned by the Indonesian Government and employs 6,285 staff (at March 2007)
We are seeking Rated Commercial Pilots for Boeing 737‐300/400/500 and Boeing 737‐800NG. Candidates must be Indonesian citizens who are fluent in English and of good character.
Operation Publication Analyst
Job Requirements:
* Male/ Female age max 28 years old
* Graduate S1 in Perpustakaan/Teknik Informatika from reputable university IPK min 3.00 scale 4
* Have 2 years experience in same position
* Having good communication skills in both English and Indonesia
* Good Computer literate with Ms. Excel, Ms. Word
* Strong analytical and strategic thinking
* Have excellent communication skill
* Based in Jakarta Raya - Cengkareng
Job Responsibilities:
* Gathering issue and about problem which gets bearing with changed and formative Operational Manual, one that covers External and Internal Manual
* Arranging solution and recommendation alternative suitably which gets bearing with Operation Publication's Manual
* Doing up date knowledge continually and systematics hits to process and methodology most now to things that gets bearing with Operation Manual
If you think you are the right candidate to join our team, please send your complete CV with recent photograph (4x6) and application letter to :
PT Garuda Indonesia (Persero)
Garuda City Center
Gedung Management Soekarno - Hatta International Airport
Jakarta 19120.
Kamis, 04 November 2010
tugas
pak ini alamat facebook saya : facebook.com/cliquers.geje
pak ini alamat YM saya : muhammadsmago@yahoo.com
pak ini alamat email saya : muhamzcliquerz@yahoo.com
pak ini alamat YM saya : muhammadsmago@yahoo.com
pak ini alamat email saya : muhamzcliquerz@yahoo.com
Rabu, 25 Agustus 2010
traditional game boy-boyan
traditional game boy-boyan
Traditional games with a total of five to ten people. Game model that is compiling a stone slab, usually taken from the floating roof or pocelen which are relatively small. Ball varies, usually made of bundles of plastic-coated paper, soft and not hard, so it does not hurt. One person as a guard plate, the others then take turns throwing the rock pile with the ball until the collapse of all. After collapsing, the guards have to take the ball and threw it to another member who threw the ball earlier. A ball that hit a guard lempengannya gan death.
Traditional games with a total of five to ten people. Game model that is compiling a stone slab, usually taken from the floating roof or pocelen which are relatively small. Ball varies, usually made of bundles of plastic-coated paper, soft and not hard, so it does not hurt. One person as a guard plate, the others then take turns throwing the rock pile with the ball until the collapse of all. After collapsing, the guards have to take the ball and threw it to another member who threw the ball earlier. A ball that hit a guard lempengannya gan death.
SAUCE
TAUN LULANG SAUCE
LULANG This is the name of the java object is a cow skin that has been burned to disappear until it was time fur ox hair scraped up missing black color ... pastu boiled until tender ... This usually orangg java lulang who diligently working on why it 's history was given the name because the epidemic in the Javanese word meaning many epidemic tu ni ... meaning sauce may durable heating if diligently so that two weeks may hold more
Ingredients:
1 / 2 kg of calf skin
1 1 / 2 Liter milk from a coconut seed
6 peel onion
5 garlic peel
1 inch ginger
RM1 rice chilli
2 pillowslip galangal
cooking oil
Sugar 3 large blades
Salt 2 large blades
One-chip gelugur acid
How to Make:
FIRST Heat the oil in a skillet. Saute until crisp racik materials.
then hirisan enter galangal and chili paddy (rice chilli so simple enter). let a minute until slightly wilted.
after that Cut lulang agak2 2 cm long. do not cut a big input into because it will expand again.
then Enter lulang in stir earlier. it adds water. about cap leave on for 15 minit.
and finished when gently insert lulang dah coconut milk. so let me bubbling coconut milk.
Most delicious if you eat beserved with chips
LULANG This is the name of the java object is a cow skin that has been burned to disappear until it was time fur ox hair scraped up missing black color ... pastu boiled until tender ... This usually orangg java lulang who diligently working on why it 's history was given the name because the epidemic in the Javanese word meaning many epidemic tu ni ... meaning sauce may durable heating if diligently so that two weeks may hold more
Ingredients:
1 / 2 kg of calf skin
1 1 / 2 Liter milk from a coconut seed
6 peel onion
5 garlic peel
1 inch ginger
RM1 rice chilli
2 pillowslip galangal
cooking oil
Sugar 3 large blades
Salt 2 large blades
One-chip gelugur acid
How to Make:
FIRST Heat the oil in a skillet. Saute until crisp racik materials.
then hirisan enter galangal and chili paddy (rice chilli so simple enter). let a minute until slightly wilted.
after that Cut lulang agak2 2 cm long. do not cut a big input into because it will expand again.
then Enter lulang in stir earlier. it adds water. about cap leave on for 15 minit.
and finished when gently insert lulang dah coconut milk. so let me bubbling coconut milk.
Most delicious if you eat beserved with chips
Minggu, 01 Agustus 2010
Dhalang (puppeteer) traditional work
The dalang (Javanese: dhalang) is the puppeteer in an Indonesian wayang performance.
In a performance of wayang kulit, the dalang sits behind a screen (kelir) made of white cotton stretched on a wooden frame. Above his head, hanging from beams attached to the top of the screen, is the lamp (blencong), which projects the shadows onto the screen. In front of the dalang is a stage (debog), traditionally made from the trunk of a banana tree, into which the sharpened control rods of the puppets can be pushed to keep them in position during the performance. To his left is the puppet chest (kotak), and to his right is the puppet chest's lid, on which the puppets sit ready for use.
In addition to moving the puppets and speaking their lines, the dalang is also responsible for giving cues to the gamelan. This is done principally by playing the kepyak, a metal plate or set of plates played with his foot, or by rapping on the puppet chest (kotak) with a wooden mallet held in the left hand.
The art of puppetry (pedhalangan) was traditionally handed down within families, and dalangs formed a type of informal caste within Javanese society. The women of these families traditionally were expert players of the gendér, an instrument which has a particularly important role in accompanying wayang performances. The sons of dalangs were often apprenticed out around the age of 13 to another dalang. His role included helping to set up the screen ahead of a performance, performing the afternoon show before a main all-night wayang, and sometimes acting as an accompanying musician or as an assistant puppeteer. He would also frequently end up marrying his master's daughter, who would have been trained as a gendér player by her mother. The social aspects of the dalang caste are covered by Victoria Clara van Groenendael's book "The dalang behind the wayang" (Dordrecht, 1985)
Much of the traditional training of dalangs was in the form of a practical apprenticeship, with a certain amount of spiritual training thrown in. This included meditation and a form of ascetic exercise known as kungkum, in which meditation is carried out naked at night while immersed up to the neck in water. Such practices are felt to be essential in building up the stamina to perform for nine hours at a stretch. A further ascetic element is that dalangs never eat during the performance, although almost all drink sweet tea and many also smoke heavily.
In recent times, however, schools teaching pedhalangan have been founded, such as the Habirandha school within the Kraton Yogyakarta, which teach a standardized version of pedhalangan. The Habirandha school published its own textbook, the Pedhalangan Ngayogyakarta, in 1976. Standardized pedhalangan is also taught at Indonesian state institutions such as the Indonesian Institute of the Arts, Yogyakarta.
Pedhalangan falls into three main areas - musical, vocal and puppetry. The musical aspects include the direction and cueing of the gamelan and the singing of mood-setting songs (sulukan), the vocal includes the recitation of set texts at scene-openings (kandha) and the extemporisation of dialogue showing mastery of Javanese linguistic etiquette, while the puppetry itself (sabetan) involves a complex system of movements and positions. There is an extensive study of sabetan in English by Roger Long (see further Reading)
Hide and seek traditional game
Hide and seek is a kind of game that can be played by at least two people, but if more and more will be more exciting.
[Edit] How to play
Starting with Hompimpa to determine who the "cat" (as a search of his friends who were hiding). The cat was later will close my eyes or turn around while counting to 10, usually he's facing a wall, tree or anything what so she would not see their friends move to hide (where this case has a different name in each region, for example in some areas in Jakarta There was a call INGLO, in other areas there are also calls that the check and called that place HONG). After a count of ten (or count of a mutually agreed, for example if the area is open, the count is usually increased to 15 or 20) and after his friends in hiding, begin the "cat" in action to find those friends.
If the "cat" to find his friend, he will mention the name of his friend, touching INGLO or Bon or HONG, if only his name only, then the "cats" are considered lost and repeat the game from scratch. What if is, when the "cat" guerrilla find her friends are hiding, one child (whose status is still as "operating target" or not found) can be sneaked into INGLO, receipts or HONG, if successful touch, then all the friends who had previously been found by the "cat" freed hostage aka the "cat" shall be deemed never to be found, so the "cat" should be re-count and repeat the game from scratch.
The game finished after all the friends found. And the first was found to be the next cat.
There is one more term in this game, the 'fire' referred to here is when a friend caught by a cat who hid the cat due to being told by friends that have been found in cats ahead of hiding
Gamelan the musical traditional instrument
Gamelan the musical traditional instrument
1. The Gamelan is the musical instruments. In the Javanese Wayang, these instruments nowadays consist of at least 15 different types, mostly made of bronze and generally of the percussion type, mostly made of bronze and generally of the percussion type; a small bamboo flute (suling), one or two horizontal drums on wooden stands (kendang), a two stringed violin-like instrument (rebab) and a wooden xylophone (gambang) are the non percussion and/or non-bronze musical instruments used to accompany a wayang purwa performance.
2. The kothak or wooden chest. The kothak normally functions as a storage box for the wayang puppets and other equipment such as the kelir, chempala and kepyak. To store a professional set consisting of around 200 puppets, its measurement should be approximately 150 cm. long, 80 cm. wide and 60 cm. high (with lid on).
3. The chempala or wooden knockers are usually made of teak wood. There are two kinds, one about half size of the other. The larger of these is approximately 20 cm. long with a diameter of about 5 cm. This is usually held in the dalang's left hand, is used to knock the kothak to produce the sound effects and coded orders he requires. When his two hands are busy manipulating the puppets, he uses the small chempala for the same purpose by holding it between the toes of his right foot, for he sits cross-legged, his right foot crossing his left thigh. As mentioned above, the knocking sounds not only produce sound effects, but also serve as the coded orders/signals of the dalang, orders to the musicians on what melodies to play, to slow down or quicken the rythm, to play it loudly or softly, or stop the music.
4. The kepyak or metal rappers. This is usually made of three pieces of bronze plate measuring approximately 15 cm. long and 10 cm. wide suspended on small cords or chains to the outer side of the kothak. The dalang hits it with the toes of his right foot or with the small knocker held between the toes of his right foot. The function of this tool is mainly to produce sound effects; occassionally it functions as a chempala in giving the coded signals.by.Pandam Guritno, Wayang Purwa Program (Festival of Indonesia: USA 1990-1991), Indonesia: Studio'80 Enterprise, 1991.
Typical Wedding Clothe FITTINGS MOJOKERTO
Typical Wedding Clothe FITTINGS MOJOKERTO
Custom bridal apparel Mojokerto, can be divided into two: the first dress that is still original and the second a modified fashion. Especially for this second dress was even recognized by the Governor of East Java as a typical wedding dress Mojokerto. Efforts to preserve the traditional bridal dress from Mojokerto society is done by directing the modification, ie changing some parts to adjust to changing times. This effort apparently received positive responses from various circles both local government and society in general. It is therefore not surprising that in a relatively short time, traditional clothing is very well known modification of Mojokerto.
According to information from various resource persons who successfully contacted, obtained a picture that attempts to modify the traditional bridal dress custom made after partial Mojokerto the Mojokerto people began to leave the traditional clothing and replace with a wedding dress and even style of Surakarta, Yogyakarta or there are some who choose European clothes, so that feared that if not immediately adjusted to the changing times, the typical traditional clothes Mojokerto will disappear altogether. Even so to track the original custom clothing is very difficult, obstacles encountered, among others, was dressed very simply, apart from that most clothing only has a broken (bridal makeup), even according to some broken (bridal makeup), even according to some information, the clothes really last original show's been around years ago in 1950, after which the clothes are gradually disappearing. Trends and developments society tastes very influential on the type of wedding dress is chosen, because most people choose a wedding dress from Central Java and Yogyakarta even cosmetic pcngantin Europe hence the Mojokerto area more traditional outfit pcngantin menyowakan these areas. For more details, will be described below original wedding dress and wedding dress Mojokeno Mojokerto which has been modified.
Original Wedding Dress Mojokerto
As we know that in order to survey the wedding dress should be made on certain months, which at that time done a lot of marriage ceremonies. But as time has urged the survey had to be done without adjusting the month-month term, even though there are some who carry out the intent of marriage dipilihpun clothes are not clothes but clothes that modified the original.
Further tracking dtujukan to fracture (bridal makeup artist) Watesnegoro village, Kec. Ngoro, namely Mbah Tun. Mbah Tun is a former cosmetic which includes older generation began to decorate the bride around the year 1970, and has now aged around 70 years. According to the story Mbah Tun, at around mid-year 1960 many brides who refuse to wear real clothes Mojokerto, because it was considered obsolete or outdated.
There bcberapa thing he remembered about the traditional bridal dress original Mojokerto, there are two (2) the type of clothing is clothing that is used by the duke and clothes used by ordinary people. The following description of the clothing worn by nobility.
Trousseau
Head ornaments:
Leaves of Java bun filled with flowers rocking (cunduk mentul) made of paper.
Diadem as a head covering.
A pair of gold earrings.
Gold necklace.
Front section:
Dipaes forehead (drawn) with the langes (charcoal) to black in color godheg groove formed like the shape of the ear curves.
Face up to his body parts with Atal polished, so that his body is yellow and clean and adds beauty impressed.
Her eyebrows are painted with charcoal, sharpened to look like a crescent.
Her lips were polished with Sumba or substances that are red food coloring using a stick that has been flattened.
Body Part:
Wearing a long cloth motif kawung, grinsing, or Sido mukti.
Kemben to cover the chest.
Belt / pending as abdominal binder.
Chocolate shoulder on both arms.
A pair of bracelets.
Diamond ring I fruit.
Leg Sections: Wearing kelompen or sandals as footwear.
Groom Apparel
Headdress: Blangkon typical Mojokerto.
Front section:
Part eyebrows and mustache painted with charcoal.
The face polished with Atal.
Body Part:
Wearing a long cloth that his motive is adjusted with the bride.
Long harness fabrics.
Chocolate shoulder on both arms.
Leg Sections: Wearing kelompen or sandals as footwear.
Wedding dress worn by most of society is as follows:
Bride
Head decoration: Wearing bun and covered with a veil of Java long.
Front section:
His face was polished with Atal to the body.
His eyebrows were painted with charcoal in order to appear like a crescent.
Her lips are painted with red Sumba.
A pair of Subang.
Necklace.
Body Part:
Kebaya wearing white or red.
Long cloth motifs kawung, grinsing or sidomukti.
Setagen as long cloth binding.
A pair of bracelets.
Part Feet: A pair of black sandals or rubber sandals as footwear.
Groom:
Section Head: Using typical blangkon Mojokerto.
Front section:
Eyebrows and mustache painted with charcoal.
Polished face with Atal.
Body Part:
Wearing a white shirt (shirt taqwa).
Trousers.
Belt which is used to men.
Leg Sections: black sandals or slippers as footwear, of rubber.
Modified Existing Wedding Dress
As of today, have made efforts to modify the traditional bridal dress Mojokerto has a characteristic that is not the same as a wedding dress from other areas. Clothing from this Mojokerto highlight some aspects of regional culture Mojokerto mainly relics of the past is heavily influenced by the culture at the time of Majapahit.
Before determining the shape and style of a typical wedding dress from Mojokerto, assorted rembug to exchange views and seek common ground be done either in the form of meetings, workshops and so forth. Various officials from relevant agencies and experts on beauty and cultural observers and historians of the region involved in Mojokerto join this determination. Until finally, the various results of these meetings led to a typical wedding dress Mojokerto was already confirmed in the Mojokerto Regency Pendapa and carried right on to the 703 anniversary of Mojokerto on Thursday night of May 30, 1996. The modifications made wedding dress is a reflection of the Majapahit Kingdom dressmaking. Based on archaeological data can be seen that the center of Majapahit kingdom in Mojokerto area, so that local bridal fashion layout is now also refers to the traditional clothing at the time of Majapahit first heyday. Data for this were taken from several terracotta statues, and reliefs of the temple relics of the Majapahit. With reference to the Majapahit this fashion, bridal fashion expected "Loro Pangkon" typical Mojokerto really other than to the others, is not affected by the bridal fashion from other regions. Besides trying to mempekenalkan typical fashion, the local government also attempted to popularize Mojokerto long cloth that is named "Grinsing Mojokerto." Grinsing Mojokerto is typical of Mojokerto in the form of batik cloth cloth filled with motifs grinsing gate while, mango, duck, and cashew. These motifs are based on the results and typical of Mojokerto. Similarly headdress, worn bun form, called "Creambath Keling". Bun idea is based on the observation data in the field based on the statues and temple reliefs tarakota, from there shows that the model knot of women at the time of Majapahit, based on the right side (like a chignon briefly Balinese women). In addition to data from the sculptures and reliefs, the bun shape also inspired by sanka forms (shells) which is an attribute of the god Visnu. The form during the Majapahit sankha very popular as a symbol of ongoing life (regeneration). It seems that this form is used as a prototype of a typical bride Mojokerto bun, which was given the name of the rivet bun. While for the bridegroom to the top hair in a bun as well, as the picture of the grand vizier Gajah Mada hairdo.
Besides the clothing worn by the 20 people called Pager Ayu escort woman, also a long cloth motif Grinsing Mojokerto kebaya completed with a yellow color with embroidery motif decoration on the bottom of the temple shortly before their kebaya. Likewise, a pager Good berjumiah 20 people also wear taqwa (Moslem) and yellow color motif gerinsing Mojokerto long cloth worn with folded side, so that only cover part of the thigh. The lower part was still wearing long pants to match her dress. The Good Paging is also wearing distinctive headgear Mojokerto.
The dominant color in all the traditional clothing of Mojokerto is yellow and golden yellow. This color symbolizes the majesty and splendor to commemorate the first heyday of the Majapahit Kingdom.
The shape of the bridal dress Mojokerto (East Pangkon) as follows:
A. Bride Dress (Paes Mojoputri)
Head ornaments:
Keling bun (hair styling sankha model / mussel)
Long hair (fir = Java) placed at the bottom bun rivets, described under the wound which has assembled a jasmine flower.
Ornamental hairpin motif string of jasmine-olan olan (jasmine strands wound around the base of the rivet until the end of the bun bun)
Fireworks rocking (cundhuk mentul) as much as seven pieces of metal chrysolite floral yellow gold. Flower stalk consists of two parts, the lower part shaped like a wire with a pointed tip to ease somewhat when plugging in the hair. The upper part is made of small wire spiral, so it can mentul-mentul when the bride's head moves.
Diadem crown princess is a carved decorative motifs similar to the period of the Majapahit kingdom, which was imposed following the era of Queen Kenconowungu.
Sumping kundhup jewel or ornament on the ear is made of metallic golden yellow color, an interesting way of using this Sumping facing backwards (Sumping generally used by Javanese brides do not like this).
Ronyok earrings (diamond), which can be real gold ear ornaments, or imitation.
Diamond necklace patterned garden kings (a necklace consisting of a string of flower-shaped jewel cape).
Wreaths of jasmine and magnolia flowers to decorate the front hair, which hung to the right and left chest.
Necklace made of long strands of jasmine flowers to the extent subject to the abdomen.
Hand decoration:
Bracelet made of gold jewelry (you can also imitation)
Gold diamond ring could be genuine or imitation
Body Part Decoration
Yellow headband (inner clothing before wearing kebaya)
Surya Majapahit black dress of velvet embroidered with gold thread motive Surya Majapahit.
Belt or pending which is made of black velvet cloth embroidered with gold thread gold ornaments. This belt other than as decoration also serve as a binder headband, Dodot, long cloth-ilatan and physical defect.
Hip Ornament
Long batik cloth prada Grinsing Mojokerto motif, which bears the bottom section (most of).
Dodot fabric (usually colored green with a temple motif prada minute) after the cloth worn Grinsing. Fabrics are subject only to the extent below the knee.
Physical defect-ilatan (embers - embers Samir) a pair of black velvet cloth embroidered with gold thread. Some are adorned with nine jewels of fruit. Worn on the right and left on the fabric Dodot.
Randi (sampur golden yellow or green)-ilatan subject to prior physical defect, with both ends hanging down the bottom left to right.
The foot
Footwear in the form of black slippers embroidered with gold thread
B. Groom Clothing (Surya Majapahit)
Headdress
Bun rivets (fashion hairdo I Oft Gajah Mada)
Equipped with a diadem crown decorated with motifs Kasatriyan geomatris swasa materials made from golden yellow color at its center is decorated with a green gemstone.
Sumping kudhup bertahtakan diamonds or jewels worn to below the ear to briefly resemble earrings.
Diamond necklace.
Necklace made of jasmine garlands to the waist.
Hand Decoration
A pair of bracelets kana (hand) could be made of real gold or imitation (like its model Sigar kangkong)
Diamond ring.
Decoration Body Parts
Yellow headband podang (for underwear).
Kasatriyan dress black velvet embroidered with gold thread Surya Majapait motive.
Pending a black belt or embroidered with gold thread, velvet material. Functions headband, fabric Dodot, sampur, physical defect-ilatan, long cloth and kris grinsing motif.
Necklace with a crescent-shaped pendant, motifsulur-suluran a three tiered.
Keris decorated with jasmine garlands of orchids and magnolia, garlands of flowers is tied around the handle end of the keris. Keris was pinned in the front right side of the abdomen. The significance of the placement of the dagger is at any time if there is an enemy of the groom is ready alert to.
Decoration Part Hips
Trousers motif batik prada grinsing Mojokerto.
Dodot prada green cloth decorated with motifs of the temple while. Imposed after a pair of pants, the fabric is subject only to the extent below the knee.
Samir Ilat-ilatan/bara-bara pair of black velvet decorated with gold thread. Sometimes also adorned with nine jewels. Subjected to the right and left.
Randi (sampur golden yellow and green) were used in rear-ilatan physical defect like a dancer wearing a sampur.
Decoration Part Foot
Footwear, beerupa black slippers trimmed with gold thread.
At a later period of the Mojokerto bridal fashion is no longer divided into two, a garment worn by the nobility and commoners together. Even then with the arrival of European fashion model (long skirt), dress typical of the original Mojokerto increasingly marginalized. Thus more difficult to rnencari truth of the original fashion typical of Mojokerto.
Traditional Wedding makeup Mojokerto inevitable problem of the influence of modernization in all fields is the makeup, especially in manufacturing technology makeup. These tools make-up era is now very modern and varied, both in shape, color and packaging. To take advantage of tools to make up a person just chose the groove, because the variations they are also very varied. From the most expensive with prices with the simple to the most expensive price to the relatively low cost. Use of tools increasingly displaced the traditional makeup, because in addition to how its use is more difficult, required materials are sometimes not easy to obtain. Also makeup processed with this simple easy way faded, and was considered impractical.
Based on field observations, in the first makeup that is used for bridal makeup in the past is still very simple example:
Atal: used as a powder, made from rice and saffron mashed with water and then crushed. Then used as a scrub who smeared all over the body especially the bride.
Boyfriend: A kind of plant whose leaves into small pieces when crushed and mixed with limestone, gambier and black ants are used to dye the hands and feet nails sometimes applied also on the edge of the foot.
According to the prevailing custom in the past, usually a few days before the meeting, the prospective bride diprebolehkan not leave the house or secluded (Java). The goal is that health and safety of prospective brides awake. In periods of secluded, brides usually look after themselves, by putting Atal scrubs made from the whole body so that on the day of "H" will be visible yellow body and shine. The longer and regularly use scrubs result will also be increasingly baik.Selain scrubs, the prospective bride is also required putting a boyfriend leaves long before the day of "H", so that later when he sat on the aisle with her nails will appear bright red color is natural. This custom is still a lot done even by today's bride.
Also in general and female grooms are also required through the ceremony of "bloat teeth" or pangur (Java). The goal is that the teeth look flat, neat and clean especially when smiling. But this now seems to pangur habit is no longer interested, because in addition to already not be in style, also proved that pangur cause tooth decay.
In addition to prenatal care, marriage, the bride also had various performances, such as cutting hair around the forehead / brow / sinom, so that the forehead really smooth and neat when fitted diadem. Likewise, soft hairs around the ears (godeg = Java) must be removed, so that later will produce a perfect shape after Sumping fitted. In general, cutting hair on the forehead and around the ears will remain visible until one month later.
While meeting the bride, of course the bride makeup though with the equipment and make up a very simple. Since it is a special day for both the bride. Makeup used by the bride include:
Dipertebal eyebrows and reshaped, it is usually the preferred model at the time was like a crescent shape. Thicken eyebrows, using charcoal (wood that burned a tip)
Polished lip with Sumba (food coloring) in red by using a stick that has been flattened (considered as kwasnya).
Part skillet is up to all the body, especially parts - parts that look like hands and feet, covered with Atal to appear more clean and bright (Java-manglingi)
The entire nail hands and feet are given herb leaves boyfriend, so reddish.
While for the groom was also given a little make up, especially on the: - eyebrows, usually refined shapes with charcoal - Mustache, usually also diempurnakan to make a picture of charcoal - Lips, too, plus a thin layer with food coloring. During the later use of good makeup for the bride and groom who are already using modern makeup, because in addition to more practical also easier to use. There remain only a few specific ingredients that can not be replaced, for example Atal until now still in great demand just added some specific ingredient that causes the smell fragrant and fresh. If the bridal couple sat in a chair now exclusively reserved for the bride (kwade), at the time the bride just sits on a simple chair.
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